Tuesday, September 28, 2010
Love Me For Real
The Bay Area is a transient place, DJ's, record collectors and normal decent people come and go from all over the world. Waves of them turn up, fresh faced to replace the bitter burnouts that are on their way out, feeling they have more chance of making it in one of the bigger cultural nexus shangri-la's of the East coast or mainland Europe. They will get more work done there, make their record, write their book, finally finish highschool, despite following up with the bars being open later and it being a much better place to party hard, and also now the even more common remark, that the record shopping is better in said hip catchall destination, because "..the Bay Area has given me arthritis in my fingers and cancer in my ears from all the Hi NRG records I have had to dig through over the years." .
Well, there is some truth in criticisms, especially with regard to the disproportionate amount of Hi NRG 12"s that look and smell like they might be disco until you put the needle on them, but then what do you expect in the town that invented it, and it could be worse, country and bluegrass independent releases from the 70's and 80's also have all the same hallmarks as the funk records of the era for some reason, no picture of a cowboy hat on the label or anything, same print, similar names and titles, imagine living in a state where you have to deal with that disappointment every time you went digging. Puts things in perspective doesn't it.
Anyway, the every day top shelf disco 12"s may be a bit thin on the ground compared to other famous party cities when shopping these days, but the Bay produced plenty of great and storied dance records, and most can be found easily in collections the world over, but there are also some that can't that are rarely seen outside of the area. Small, private pressings that were a product of a dancehall musical heritage that goes back to the blues era, that go for big money in Europe and Japan, but that from time to time, if you are lucky, may turn up in an Oakland thrift store. Stuff that keeps you flipping through all the Sylvester singles. Like this one for example, Rim an Kasa's Oakland produced Too Tough EP.
Rim Kwaku Obeng was a migrant to Oakland from Begoro, Ghana, where at 26 his traditional drumming skills saw him brought over as a session player for (I believe) a recording Fela was doing in the States. He stayed on in the US and produced a now sought after '77 deep afro disco LP named 'Rim Arrives', that has a track on it named something like 'Brushing Is Making Love' that is highly sweated. He did more session work, then produced this second afro boogie EP as a band leader named 'Too Tough', in 1981 using the name Rim and Kasa on Sum Sum records. I have one more locally produced recording by Rim Obeng, under the band name Rim And The Believers named 'International Funk' from 1986, after that I have no record of what happened to him.
Here is the most famous and hard hitting track from the Too Tough EP, that has themes of female empowerment and mutual respect between sexes throughout all it's songs, sort of done in a quirky not too preachy super hard disco afro boogie funk sort of way..
Posted by Black Shag | 10 comments
September 29, 2010 at 4:44 AM
Brushing Means Making Love is the correct name. MP3 here:
http://dreamchimney.com/tracks/25723
September 29, 2010 at 4:57 PM
Thanks to you both for 2 great songs!
September 30, 2010 at 9:28 AM
Now that is a hot track - awesome breakdown at the 3 minute mark.
You forgot two more illnesses you'll acquire while diggin in the Bay Area:
1) The "black lung" you get from the dust of ten thousand households and
2) The "blindspot" you develop to block out those "walls" Barbara Streisand albums. I'm convinced that some actually serve as load-bearing walls in many a thrift store.
October 3, 2010 at 1:49 AM
Tune.
regards
October 4, 2010 at 11:48 AM
Thanks
October 6, 2010 at 3:09 PM
To The Editors of BeatElectric:
I have come into posession of a sealed copy of The Dramatics - "The Dramatic Way" LP, which I will be ripping from a fresh needle to a 96khz/24bit WAV.
Would you be interested in a copy?
October 7, 2010 at 7:46 AM
One of the best Beatelectric posts of the year and yet another track that has completely failed to come across my radar till now...
The whole track is kinda breathtaking but it is all about the second half for me when the break hits and the vocal refrain "make it funky funky funky funky" kicks in, sheer genius! If that wasn't enough we get those delirious Barry White on methadone vox and infectious synth stabs.
You know a record is rare when there is not even a single vastly overpriced copy for sale on Discogs....well dug sir!
October 7, 2010 at 7:51 AM
I forgot to add, the cover of Too Tough is freakin' wonderful:
http://www.discogs.com/viewimages?release=2262081
October 14, 2010 at 10:31 AM
Thank you so much!!! I heard a slightly faster/sped up version of this song on a mix and the tracklisting indicated that the dj didn't know who performed the song.
June 9, 2014 at 9:50 AM
Thank you. I believe Rim Kwaku Obeng is the same person as Martin Kwaku Kwaakye Obeng, who is now a music professor at Brown.
courses.brown.edu/instructors/martin-k-obeng
Some transcriptions of his drumming can be found in the book West African Rhythms for Drum Set