Sunday, November 16, 2008

T. J. Johnson Band  


The best dancefloor friendly underground boogie tune is T. J. Johnson Band's 'I Can Make It (Good For You)'
I suppose we may as well shut down the blog now right? I'm disabling the 'post a comment' option as there is no point discussing it, its just fact. There are 9 places left open in the top 10 after this track that you can fight over.

T. J. Johnson is a British guitar player of Caribbean descent. He had a couple of domestic club hits in the early eighties, first with 'Pretty Lady' and then with 'Dragonfly', an incredible instrumental piece that lives on the flip of 'I Can Make It' (both of which I'am posting).

He still plays locally on the UK scene and put a new CD out last year, read a rare interview with him here:


Playing these tracks out in the USA is a real pleasure, the quality is so high they sound like they could have been a major label smash, yet the style is slightly removed from the standard American R'n'B top 40 formula of the time, boogie heads on this side of the Atlantic are left scratching their heads as they peer a look at the turntables then run home to eBay.

Posted by Black Shag | 9 comments

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Friday, November 14, 2008

What's Heppening?  



I might not be cool enough to know but I think in the '60s "hep" meant "hip" which meant you were attuned to the latest and greatest ideas, culture and music (It just wouldn't seem right if it referred to Hepatitus).  This tune squeaked out on Magic City in the end of that decade, '69 to be specific, and speaks of a "squeeze" (maybe a person or a party?) which is hep.  The term "Magic City" has been used for many a city but in this case they are referring to the once magical land of Detroit, then at the end of the Motown success.  I wasn't able to find too much information specifically on Mad Dog but I can say: screaming can often be a bad thing but the wailing vocals through nice old preamps pressed onto a 45 rpm record tickle me just right.

Posted by safetyscissors | 3 comments

Thursday, November 13, 2008

Feeling Love  

"Feeling Love" by L.E.B. Harmony is a synth masterpiece. Released on Carousel Records in 1978, this LP on pink vinyl is a gem.

L.E.B. Harmony - Feeling Love

Posted by T. Preston | 7 comments

Monday, November 10, 2008

The Flames Are Touching You  


Linx was a band from East London, so if you don't like these tracks, just blame Black Shag. The band centered around vocalist and producer David Grant. It was released in 1981. There are a couple of things that I like about this 12". First off, it has one of the best picture sleeves I have ever seen. "Sketch," the bass player is seen here fully loaded with steaze; his de-fretted vintage J bass has such a long neck it stretches into the second frame. Another great feature built into the cover is that if you play Throw Away The Key and look at the cover at exactly 4:15, you instantly feel like you are in on the scene.

These tracks feature ultra slick production and great organic modern soul flavor. The bass sound is tops and mates well with the funky guitar and dramatic drums.

Linx - Throw Away The Key

Linx - The Ice Is Melting

Posted by Joel Brüt | 3 comments

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Wednesday, November 05, 2008

Twin Image  


My brain is numb from a 2 year obsession with this particular US presidential race (and the ensuing party that took place last nite) so I am not capable of writing very much today. A good majority of our readers are from overseas, so I must tell all of you we are making amends and I hope we can be friends again.

This synth-boogie track from Twin Image was released in 1984 on Capitol records. It's got a nice sort of black new wave vibe to it. Dig it.

Twin Image - My Baby Loves Me (Do Do)

Posted by Magnum | 5 comments

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Monday, November 03, 2008

I'm The Best In Town  


Get on up, and give yourself a thrill. The economy sucks, but you can dance all night if you want to. Hamilton Bohannon was born in Georgia. After playing drums in Stevie Wonder's touring band, he moved to Detroit where he became a band leader and arranger for Motown Records through the late 60's to early 70's. Bohannon became a major force in disco music when he started producing tracks under his own name in the mid 70's.

This track is like a 6 and a half minute build up. The disco stomp meets a B3 and a nasty bass synth while Carolyn Crawford instructs you to move your feet. What I really like about this track is that there is a lot hidden in the mix that gives a solid, recession proof party vibe.

mp3: Bohannon - Dance, Dance, Dance All Night

Posted by Joel Brüt | 0 comments

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Saturday, November 01, 2008

Blood From My Soul  


I'am writing this from a hotel in Seattle, I have been spending the weekend wandering around waterfront, dodging in and out of shop doorways to avoid the rain and digging around through punk record stores to find to find the one or two black LP's that slipped through the net. If you are a Seattle native and know where I should have been looking and are willing to share, then by all means hit the comments button.

It seems fitting that seeing as my weekend has been slightly introspective and out of context that my offering today is also.

Around two summers ago I was riding my bike deep through the avenues, heading toward sunset beach, when I came by chance accross a garage sale. A gentleman was stood inside the garage door next to untold boxes of records, mostly marked 'funk', some marked 'disco', and I was casually told that he was clearing out some records to 'make space for more records'. It was a treasure trove, I remember being sold a clean copy of the Kebekektrik ep for $2 as well as a bunch of other cuts I still play out to this day, simply so the man could have an extra bit of room in his apartment. This is how I met DJ Om, part of the Bay Area's digging royalty.


Om can be credited with discovering and breaking many of the soulful funk jams found on the slew of Bay Area reissue compilations that came out over the last decade. He has traded or sold to DJ Shadow, Cut Chemist, Keb Darge, Jazzman Gerald, Soul Sam, John Manship, Egon, just to name a few, as well as playing out alongside acts such as Madlib, the Gza, Flying Lotus and Pharcyde. I only mention this so the proper weight can be attributed to the selection chosen for the new mix he debut's with Beatelectric today, many of these soul 45's are so completely off the radar that even if I did have a name for them it wouldn't make any difference, your not finding them, others are truly being broken for the first time, and a couple are simply classics.


Despite my pleading to the contrary he decided to give no playlist, but if you look into the broken heart depicted on the cover you can perhaps make out the writing on some of the records spilling out from the centre. As per usual, if you do a commendable job of ID'ing the tracks there is a Beatelectric t-shirt in it for you. Here is what Om had to say:


This is a chance to look into the mind, thoughts, and feelings of Deejay OM and experience the soul-wrenching and heart-shattering experience of my "break-up" or "heartbreak" mix. A mix which has great personal meaning, and was made as a means of healing my own pain. It is intended to be a panacea, a medicine which helps to heal others going through the same struggle. I've offered it as a free download so that it may spread and help to heal the wounds inflicted by those caught in the heat, or aftermath, of the hearts battle for love. It is a concept mix which is patterned after the thoughts, feelings, mixed emotions, and changes one goes through once the break-up begins and carries through to the end by dealing with what truly came to be...like it or not, it's about putting yourself on the line, being heart-broken, and learning to pick yourself up and move on. Each and every song has been hand picked because of content, feel, and overall message and was then placed in the mix corresponding to the stage of where one is at processing their lost love, and most importantly their own broken heart...music heals....and whether it's the music and bitter tears of Jesse James, the very rare Jackson 5 song and their hopeful search for something to fill that void in your heart, the anger of the Berwick Players, or the encouraging words of Frankie Beverly to dry your eyes and stop crying...I guarentee this mix will make you feel something deep down within. It is the blood from my soul...music for a heartbreak.


Posted by Black Shag | 16 comments

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Thursday, October 30, 2008

Happiness  


The Pointer Sisters released this 12" in 1978 on Planet Records. It has a stunning intro and is simply a solid track start to finish. Production by Richard Perry. "Happiness" isn't a pricey record by any means, but it is one that moves the floor.

Happiness

Posted by T. Preston | 2 comments

Tuesday, October 28, 2008

Check It Out, Check It Out, Check It Out  


Trilark was the cloud city steazed vocal trio brainchild of Crown Heights Affair masterminds Ray Reid and William Anderson. Another treasure from 1982, (I know I keep harping on this year, next week promise I will be on some 1979 heat) the quite rare Trilark LP was a collection of mid tempo modern soul jams. The more accessible single "Love Never Looked Better" is a decent track but not up to par with some of the other material on the record in my opinion. My favorite joint is "Check It Out". I just picture an early 80's beach front soul porno shot with some dusted old film stock whenever I hear this one. This shit is just too smooth. Check It Out:

Trilark - Check It Out

Posted by Magnum | 3 comments

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Saturday, October 25, 2008

Partytime Records  

Partytime records was a spin off label of the legendary Streetwise record label, Arthur Baker's brain child where he served as chief a&r and talent scout. He had a good ear and always heeded my advice and for this he was rewarded loot and immortality. Partytime was a reasonably self descriptive name for the sublabel, it's output was exclusively dance floor heavey although varying from synthy modern soul to electro hip hop in genre.

These are my two favorite cuts from Partytime. Pushe's Don't Take Your Love Away, and Citispeak's I Don't Need Your Handouts. Both are synth laden uptempo boogie, of the sort which has tended to make up the lion's share of my set recently, one female vocal led and the other male. I heard the Jeanne Harris vocal described as 'sour', but thats part of it's charm:

Citispeak - I Don't Need Your Handouts
Pushe - Don't Take Your Love Away

Posted by Black Shag | 2 comments

Monday, October 20, 2008

The Eternal Question: Is There Life On Mars?  

One of disco music's eternal questions may soon be answered. The Rover's sole mission is to answer this question. While The Mars Rover is an amazing feat of engineering, it is full of aesthetic deficiencies. Although I like the Johnny #5 head, the body looks a lot more like an insect than a vehicle. I also think the rover would probably be more functional with a robot sidekick that has arms and legs. The new moon rover that has the ill conceived name "Chariot" got it right with gold leaf trim. All we can wish for is some 12" triple gold Daytons on that sucker.

Life On Mars was a concept album that was written an produced by Philadelphia native Dexter Wansel in 1976. He was a Philly Sound pioneer and produced for such acts as: Teddy Pendergrass, Phyllis Hyman, The Jacksons, and Patti Labelle. Dexter produced several albums in the Jazz Funk genre with a sound that is equally split between Herbie Hankock's Thrust album and disco floor burners of the era.

Dexter Wansel - Life On Mars

Posted by Joel Brüt | 1 comments

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Friday, October 17, 2008

Palace Palace Me Now  



I'm not sure why this chugging upbeat disco song is called Palace Palace. I'll admit that the lyrics are profoundly vacuous and the congas verge on irksome but as I was recording this track into my compu-tron my ears assured my brain it was a worthy selection. The vocoder here, which is a sound that wasn't overused in the disco years, works almost as well as it does in Easy Going's Baby I Love You (a future post of mine).

At first, outside of Who's Who, who had just a handful of disco tunes culled into an album at the end end of the 70's, I only found the producer's name connected to a Moog hits comp in '72 called Music For Pleasure on a track entitled Listening To Mozart (which I'm guessing was a Moog version of Mozart W. Carlos style). That find in fact added some credibility to Daniel Bangalter...I'd love a blog of cheeky Moog covers. Then, upon further investigation, I discovered that Daniel Bangalter is merely the real name of Daniel Vangarde, who not only produced a slew of European disco hits but fathered Thomas Bangalter, one half of the duo Daft Punk. The vocoder makes more sense all of a sudden and takes on a seminal role. Can we thank (or blame) Daniel and this track for the robots that carry the torch of modern dance music these days?


Posted by safetyscissors | 6 comments

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Thursday, October 16, 2008

Quiet Village  




A man of many talents, Lalo Schifrin covers this 1951 Les Baxter original bringing it to new heights with a touch of exotic funk.

Lalo Schifrin: Quiet Village

Posted by T. Preston | 3 comments

Tuesday, October 14, 2008

GUEST COLUMN: RAW BOOGIE BY DISCO TOM NOBLE  


First off, let me introduce my column for BE which will be called Raw Boogie. This is micro genre I've been cultivating for the last 5 years or so, consisting of self released and usually self produced boogie joints made by local artists from all around the world. Most of the popular music from the post disco era (1982 - 1989) is notorious for having skin tight session players and uber slick production. Bands such as Slave, The Whispers, Evelyn Champagne King, etc fall into this category.

In stark contrast to the sound of the major label's elite comes the unsigned & under paid suitors seeking their claims to the boogie throne. Writing, recording, and releasing their own funk upon the world, the unisigned artists would often record in home or homie studios, with little to no budget. Most of the Raw Boogie tunes I've found were completely ignored and/or shunned by the music industry, creating a vast underground of obscure and dope funk only to be appreciated by future generations.

Raw Boogie Vol 1:

SUMY "Soul With Milk" - (taken from the LP Trying To Survive, Galaxy records 1983)





Most of the groups we'll bring up in this micro genre will be hailing from the USA, however Sumy was self releasing his music in Amsterdam. Sumy was born in Surinam, a country known largely for being one of four non spanish speaking nations in S. America, and for having a population 1/2 the size of myself and BT Magnum's hometown of Milwaukee, WI.

The young, arrogant Sumy started his own scene quickly after relocating to Amsterdam. There he created his own band, The Freaky Thangs. Mainly white dudes who wore star trek gear and porno hair. Sumy himself liked to wear leg warmers on his arms. With this crew he released two singles which were released by Phillips. After these two releases Sumy began preparing his full length LP, "Trying To Survive. Low funds and lack of equipment led Sumy to record most of the LP in his home, using a barrage of funky synths and his own wit to complete the project. He also enlisted a few friends, including a couple members of the group American Gipsy, aka the band who made the break beat classic "Inside Out".

"Trying To Survive" eventually saw release on Sumy's own imprint, Galaxy Records. An album safely 30 years ahead of it's time, "Trying To Survive" included many nice jams such as "Bitch, We Danced A Lot", "Where Were You Last Night (Sexy Lady)", and the tour de force in "Soul With Milk".

Not sure what the saying "Soul With Milk" is supposed to stand for or suggest, but the lyrics are all about clubbing and chasing girls. The beat floats in and out of open high hat disco and hard hitting funk, and the bass is pure synth. The home made acoustics, low budget mixing and dub effects truly make this standout as a low fi masterpiece when compared to other tunes which were seeing release in 1982. On top of the music, the album cover is also very home made and iconic in it's own way. The art layout is also credited to Fuck You Inc, and to this day it is the only LP I've ever seen in which the producer humbly apologizes for the recording quality in the liner notes.

Sumy is currently living in Amsterdam and plays out on a regular basis.

- Disco Tom Noble

Sumy - Soul With Milk

Posted by Magnum | 8 comments

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Sunday, October 12, 2008

Time To Move  


I found all these old Chicago party flyers on Devastating Dennis's myspace page, I must have downloaded about twenty or so. They are reminiscent of that time around the mid or late eighties when I first started to notice aesthetic, or soak it in at least, and the DIY style of the time reminds me of the cheaper small skateboard company ad's I would cut out and collect. I couldn't afford imported new wavey skateboard gear, and I didn't go to late eighties house raves and the tune I'm posting isn't even from Chicago (I think it originates from Michigan) but the spirit is still the same, so with that fine segue...on to Carmen's Time To Move!


This is an all female production, with Daisy Earnest working the boards, and a classic boogie 45 with an almost freestyle quality to it. Carmen did go on to record another vocal for track named 'Throw Down' produced by Kevin McCord that became an underground proto house classic, but I didn't post it as my copy of that particular 45 is beat to hell and I feel Time To Move is the superior track of the two anyway. I played this in a basement in Chinatown recently at the surreal and highly recommended Sweater Funk party and a friendly out of town DJ who was visiting asked me to throw this one up on the site, I can only oblige:

Carmen - Time To Move

Posted by Black Shag | 11 comments

Friday, October 10, 2008

Oh Kato!  


I now share with you one of my most favorite 7"s that I own.  It fills me with happiness and I can pretend I am in a different place and time, maybe with the potentially fictitious female named Lori....and chameleons too (I had one once named Charlie).

Lori & The Chameleons - Touch


ps...fun fact: Bill Drummond of the KLF wrote and produced this track.  KLF is gonna rock ya!

Posted by safetyscissors | 7 comments

Tuesday, October 07, 2008

Talk About Party Lights  

In the dawn of the 80's the sound and culture of dance music shifted much as it had in the mid 70's. Just as disco grew out of funk, boogie morphed out of the disco sound. Boogie really was the perfect blend of the two genres. Much like disco it was more oriented towards the dancefloor and like funk it was a touch more raw and soulful. 1982 was the year it all gained cohesion, the pinnacle of dance music. This track is a prime example of Boogie's sublime evolution. 


The brainchild of producer/songwriter Donald "Dee Dee" Burnside, First Love were a 4 piece female vocal group formed in 1979. The group released their first single on Dakar in 1980 and switched over to the tiny CBS sub label Chycago International Music for 1981's excellent "It's a Mystery to Me". "Party Lights" would follow in '82 and prove to be the group's finest lazer soul entry. The reverb drenched vocals sit nicely over the gated snare hits, wicked synth lines and an out of order guitar break. I included an edit by Liquid Pegasus. Obviously he had a lot of strong material to work with, but he manages to make an edit thats pretty enjoyable to listen to on its own accord.

First Love - Party Lights

First Love - Party Lights (Liquid Pegasus Edit)

Posted by Magnum | 9 comments

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Monday, October 06, 2008

One of The Longest Disco Band Names Ever  

Fonda Rae, the Deputy of Love sang this track for Don Armando's Second Avenue Rhumba Band in 1979. She later sang on hits by Kid Creole and the Coconuts and Patrick Adams and Greg Carmichael's group Wish before putting out releases under her own name. This is a soulful, funky jam that has a tongue and cheek vocal delivery and a classic disco stomp. David sent us a housy remixfor you to enjoy as well.

Don Armando's Second Avenue Rhumba Band - Deputy Of Love

BC Crew - The Deputy

Posted by Joel Brüt | 2 comments

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Saturday, October 04, 2008

Euro Cosmic  


 "Your posting a track called Disco Spaceship, so why are you using a picture of some old audio gear instead of a picture of a spaceship? there must be loads of good spaceship pictures"

 Well there are loads of good pictures of spaceships, I love spaceships and I could look at them all day, and when I get in to work on Monday I might do just that, but where would be the sport in using one for a track called Disco Spaceship? besides, the old audio gear that you see above is actually made out of cake. You can eat them.

 Now, I'm not known for my euro disco selection, in fact I would go as far to say as I don't really like the 'euro disco' genre all that much, I don't find it to my taste, its too pop heavy without the soul I look for. It reminds me of nostalgic eurovison song contest re-runs for the most part. Now to every sub genre of a genre there is always a champion, the stand out tunes that justify in this case northern Europeans in the late seventies cutting thickly produced disco records. 
 
 I believe Laurie Marshall's 'The Disco Spaceship' is one of my favorite peak hour dance tracks regardless of genre, it still carries all the hall marks of euro disco, the heavy layers of strings and orchestration, the bombastic arrangement and the cheeseball vocal, but this time its done with a cosmic edge and backed by one of the most powerful hooks in the history of disco..enjoy both the '45 version and the instrumental of the cosmic euro bomb track of all time (go with the vocal version)..

*Laurice (Laurie) Marshall just got in touch to pass on the address of his new website, check it out: www.lauricenow.com


Posted by Black Shag | 5 comments

Thursday, October 02, 2008

For The Same Man  

"For The Same Man" is simply an excellent release from 1983 on 25 West Records. Written by Libby McLaren, Matt Noble and Rebecca Rifkin, this song is made for dancing.

For The Same Man (Nasty Version)

Posted by T. Preston | 5 comments

Tuesday, September 30, 2008

Saturday Night Circa 1982  

In a long bygone era, this is precisely what I picture a Saturday night to sound (and look) like. RIP 1982.


David Morris - Saturday Night

David Morris - Saturday Night (Instrumental)

Posted by Magnum | 5 comments

Monday, September 29, 2008

Thank God For Music  


Here is a mix of some of my favorite jams. They are plenty good for shaking down the house, but just as good for making the commute a little easier. It seems that I live in my car these days and I can only handle so much NPR.

Tracklist:

David Joseph - You Can't Hide (12" Version)
Thelma Houston - You Used To Hold Me So Tight (12" Version)
Unlimited Touch - Searching To Find The One
Lenny White - My Turn To Love You (Special Mix)
Sharon Redd - Beat The Street (Special 12" Instrumental)
Kano - She's A Star (LP Version)
Chocolate (Chocolette) - It's That East Street Beat (Club Mix)
Touch - Love Fixation (Dub)
Patrick Cowley - Thank God For Music (Disconet Extended Remix)
Connie Case - Get Down

Download Mix Here

Posted by Joel Brüt | 4 comments

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Friday, September 26, 2008

Dum Dum Derelict Doctors  


My brain is cloudy from watching a debate between two senators who disagree on a few important issues. Therefore, I'm not sure how much depth I can spew from my spinning head for a post today...Rather, I'll focus on two things I saw in the debate through two different Jesse Saunders tracks.

First off: I'm not sure what this silly song from Saunders is about exactly but it is seething with absurdity which I have seen plenty of in this presidential race, especially in the past week. Additionally, feel free to relate this song to the topic of our nation's health care system in some obscure way (I'm open to suggestions).



Secondly, I'll focus on the mind-numbing rehashing of rhetoric which was very present in the debate (however, this track is loads more fun). Produced under another moniker of Jesse's, Fresh, Dum Dum is an amazing house anthem in a non-traditional sense. It's a mash-up medley where Mr. Saunders scratches and samples other tracks including some Sheila E as well as the other track in this post...all over the top of a simple drum machine track and a repetitive vocal medley consisting only of the word "dum". On a sidenote, there is a lack of live scratching which happens in house and techno these days. Find some old WBMX mixes online to hear the character DJs used to inject into their mixing.



I know Jesse aka Jes Say, the godfather of house, has little to do with the 2008 presidential race in the US of A but maybe he could run for president. I could imagine some vintage sounding patriotic house jam to rally support for him. You can be assured that Barack has my vote secured but without a doubt I would vote for Jesse Saunders over McCain if it came down to it. (And in no way am I comparing Obama to Jesse Saunders in case you were wondering...but I'll bet they are both swell guys.)

Dr. Derelict - Undercover (Remix)

Fresh - Dum Dum

Posted by safetyscissors | 5 comments

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Tuesday, September 23, 2008

Thug Rock / Sexy Music  

George Kerr produced many, many influential recordings in his long career including the heavily sweated "Skull Snaps" LP in 1973 and the recently reissued Sabata 12" on my friend Rob Sevier's excellent Numero Group label. Kerr has songwriting credits dating back to the early 60's and Patrick Adams claims the first studio session he ever attended was Kerr recording the O' Jays in 1968. In the early 80's Kerr started hooking up with Reggie Griffin and produced quite a few boogie tracks including "S & M" by De De and "Thug Rock" by George's daughter Sandy Kerr. Keeping it in the family, George also produced a track with Vaughan Mason for his other daughter Tracy in 1984.

Reggie Griffin was best known for his early electro jam "Mirda Rock" on Sugarhill Records imprint Sweet Mountain in 1982. His boogie oriented production work with Kerr stands out to me as his best, but he was also quite influential in the hip hop world, penning songs and playing keyboards on some classic cuts for many Sugarhill Records releases including Grandmaster Flash and the Furious Five's LP "The Message".

The Kerr/Griffin colaboration began with "Thug Rock" in 1982 on Catawaba Records and continued with "S & M" (Sexy Music) in 1983 on the Clockwork label.

Sandy Kerr - Thug Rock

De De - S & M (Sexy Music - Rated X)

Posted by Magnum | 3 comments

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Monday, September 22, 2008

Dancin'  

The Brooklyn, NY based group Crown Heights Affair came along in the mid 70's and put out their first record in 1974 for RCA records. They soon moved on to join Kool and The Gang on De-Lite Records where they recorded several LPs and 12" singles. They were one of the pioneering groups in the the disco era and had a sound with a deep, soulful and funky vibe, but they also produced several cosmic disco tracks. This track is my favorite next to Dance Lady Dance and Say A Prayer For Two. Members Ray Reid and William Anderson also produced tracks for Beat Electric favorites Unlimited Touch and France Joli.

mp3: Crown Heights Affair - Dancin

Posted by Joel Brüt | 2 comments

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Thursday, September 18, 2008

African Suite  


So I have been wrestling with a new recording set up for the past few days, I would take a picture of it for you with my digital camera if it were not for the fact that I dare not plug another piece of technology into this new machine for fear may cause it to burst into flame and my brain to have an embolism.

As well as finally setting this laptop up with software to record I got a new turntable, a Pro-Ject Xpression ii, that came with a Dynavector 10x4 cartridge going into my (sort of) new Roksan preamp, which goes out line level into my MOTU interface. Some poor guy in Florida was forced to sell it cheap by a nagging wife who wanted the living room back, and as a result Beatelectric has a new rig.

I did this recording pretty much dry aside from some normalizing in order to get a measure of how it all sounds, but anyway..enough of the nerd talk, on to the deep afro disco..

African Suite has been talked about a lot due to it's reissue last year, and so I decided to record the choice medley from the B side in it's entirety, as all the best break and hooks are there amongst the pounding tribal percussion.

Richie Rome was given free range to produce this album after his success with the Richie Family. It's concept it pure sexually charged deep disco, with hard Afro rhythms, each track blending perfectly into the next:

In The Pocket (3:09)
Vibes (4:38)
Young Stuff (4:13)
African Suite Reprise (1:20)

Posted by Black Shag | 3 comments

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Wednesday, September 17, 2008

Can You Hang With The Gang?  


An obscure gem from Washington DC, Hang With The Gang is a prime slab of boogie/funk from 1981. A background party track, vocoder stabs, and genre defining moog bassline might very well make this the ultimate party jam. The Backlash EP (Pictured) and the Hang With The Gang 12" were the only releases on the private Strata Sphere label making this a very rare cut indeed. A reissue is in order sometime in the next year or so, but until then expect to pay a lot of coin for this heavily sweated and near perfect underground boogie workout. For more tracks with a party going on in the background, check LeBaron's recent post Party Disco.

Backlash - Hang With The Gang

Posted by Magnum | 4 comments

Monday, September 15, 2008

Fixation  

Touch was an act that released a few records in 1987 for the Brooklyn label Supertronics. This garage house track has the bassline and handclaps of Chicago house but has layers and layers of melodic horns and synthesizers on top. The record was mixed by Shelter DJ Timmy Regisford. Timmy Regisford also worked with Boyd Jarvis to create the previously covered The Music Got Me by Visual.

mp3: Touch - Love Fixation

Posted by Joel Brüt | 5 comments

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Saturday, September 13, 2008

...I Ain't Even Gonna Try  


In 1982, this Cut Glass' classic disco cut (sorry, I couldn't resist) was reissued on Hot Tracks, a DJ subscription service based in San Francisco similar to the fruitful Disconet Program Service.  The solid but fairly standard sounding disco number was warped into a maniacal assault of cosmic synths by one of Hot Tracks' resident remixers, Zino.  I wonder if he is still lurking around San Francisco and also if he has a paradox of his own.

My copy is one of many records I have that used to belong to Michael Lewis, a contributor to Hot Tracks himself, who used to be a very busy man when San Francisco was a different place.

Cut Glass - Without Your Love (Hot Tracks Megamix)

ps...I chopped off the main part of the original and the track here starts at the "remix" section.

Posted by safetyscissors | 4 comments

Thursday, September 11, 2008

The Undisputed Truth  


"Medley: Ungena Za Ulimwengu (Unite The World) Friendship Train" is a perfect track for the dog days of summer. This album was recorded in 1971 and produced by Norman Whitfield. Sit back, relax and enjoy.

Medley: Ungena Za Ulimwengu (Unite The World) Friendship Train

Posted by T. Preston | 0 comments

Monday, September 08, 2008

Shep Pettibone's Mastermixes Vol. 1  

These days there are so many damn Kiss FM's floating around the dial that it is almost hard to fathom the brilliance that once was NYC's one and only Kiss 98.7 FM. Still at this pathetic stage in the game, Kiss is the best franchise on the market second to NPR. I so long for times past when radio programming was super diverse, the stations had legit DJ's, and the markets were regulated to keep corporate monopolies out of the system. Damn you telecommunications act of 1996!

Shep Pettibone made his name with the original Kiss 98.7 FM Mastermixes.

Armed with innovative tape delay and splicing techniques all his own, Shep launched his highly influential career producing a series of exclusive Mastermixes for the station from 1981 - 1983. This culminated with the release of the now obscure Prelude Mastermixes Volume 1 double LP in 1982. Shep's career in the world of dance music was quickly cemented as the mastermixes proved to be not only brilliant but a popular radio staple as well. Pettibone soon became the house mixer at Salsoul Records and went on to produce material for mainstream heavy hitters Madonna, The Pet Shop Boys and New Order amongst a plethora of others. Special thanks to Michael, check out his blog.

Nick Straker Band - A Little Bit of Jazz (Shep Pettibone Mastermix)

Secret Weapon - Must Be The Music (Shep Pettibone Mastermix)

D Train - You're The One For Me (Shep Pettibone Mastermix)

France Joli - Gonna Get Over You (Shep Pettibone Mastermix)

Posted by Magnum | 8 comments

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Friday, September 05, 2008

Build Me A Bridge  

Here is another bump along the journey between the boogie and the house eras. This track from 1983 by Adele Bertei was produced by Thomas Dolby for Geffen Records. Adele Bertei played keyboards for the legendary New York no wave bands The Bloods and The Contortions. This track has a lot of interesting elements melding together in a cohesive way that must have been shocking at the time. The clean pop production is very apparent, along with melodies that are both dark and uplifting. The italo synths juxtaposed with the choir like chorus works quite well, strangely enough. Thomas Dolby is well known for his 80's synth pop, but he produced a lot of tracks in the decade, including Whodini's first release.

mp3: Adele Bertei - Build Me A Bridge

Posted by Joel Brüt | 4 comments

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Wednesday, September 03, 2008

Cloud One - Flying High  


Does it get much better than the partnership of Patrick Adams and Peter Brown? The godfathers of deep disco, of any great production duo from the era I can't think of one that was so tastefully consistent, and whose releases to this day are so sweated. Their releases spanned sub-genre, disco, cosmic, boogie, early hip hop, but always had the signature sound and distinctly abstract approach, which is a shame really as it means for most releases on the Peter Brown/Patrick Adams owned labels (Of which there were a few) you are now having to compete with hiphop dj's, funk obsessives, disco nerds etc etc.

My favorite P&P project was Cloud One, and this I believe is the first Cloud One 12" release on Peter Brown's Heavenly Star label, with Patrick Adams on joint production and song writing credits. An awesome instrumental disco boogie number, with all the weirdy overtones you would expect.

Cloud One - Flying High

Posted by Black Shag | 4 comments

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Monday, September 01, 2008

One Step at a Time  


Tracy Weber was discovered by Songwriter Nicky Braddy as they grew up close to one another in Queens, New York. Nicky and his writing partner Richard Bassoff penned "One Step at a Time" and "Sure Shot" with Tracy in mind. Recorded and produced by Eric Matthew and Gary Turnier, "Sure Shot" was a massive club hit thanks in part to a mix by Larry Levan. Sadly, Tracy was shot and murdered in a friends apartment two weeks before the single was released. "One Step at a Time" finally saw the light of day with a "Sure Shot" instrumental on the flip in 1983. Bassoff and Brady went on to write and produce "Ride on the Rhythm" by Mahogany for West End Records before both men exited the music business shortly thereafter. According to Richard Bassoff, Matthews and Turnier recorded a third track with Weber entitled "You Ought to Know" which remains unreleased to this day. Bassoff also claims that Tracy could nail any vocal in just one or two takes. I searched high and low, but could not find any picture of Tracy whatsoever. If anyone knows where I can find one, please hit me up.

Tracy Weber - One Step at a Time

Tracy Weber - Sure Shot (Instrumental)

Posted by Magnum | 7 comments

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Thursday, August 28, 2008

My state of mind...  


Tonight I'll be boarding a red-eye flight heading to New York City once again.  I've been going quite often and I like its presence in my life.  It's more than a CompuRhythm-78, a sampler, synth and a delay can encapsulate...but Deekay Jones' use of those tools does conjure up some suitable statement about the city, especially what it might have been like in 1983.  Pulse of New York was an incredibly well rounded comp that showed the few people that got this disc what New York new music was all about.  There's also a track from Xex and some foreshadowing of early Jamie Lidell by a band called Bronx Irish Catholics...maybe I'll post more from this later.  Right now, I've got to start packing for my weekend.  Wish me a good weekend and if you long for where I am just think of this track.


ps- After some research I think the "New York" sample was from the first Last Poets album from a track of the same name.   The 1970 release precedes the crappy Billy Joel song New York State of Mind which came to mind for me.  The entire sample has way more depth and weight than I had allowed it to have before: "New York is a state of mind that doesn't mind fucking with a brother..."  So maybe this track can also be for the anniversary of MLK's "I have a dream speech", noting we have made some progress.

Posted by safetyscissors | 6 comments

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Tuesday, August 26, 2008

Party Disco  


I love tracks that have a party going on in them. I love to try to listen really closely to hear what is going on. This funky soulful disco jam was produced by Jerry Weaver for Parachute Records in 1978. Parachute was a subsidiary of Casablanca. Weaver went on to produce some tracks for Janet Jackson. The Most Requested Rhythm Band centered around pianist Nat Dove. They produced the 12" featured here in 1977. The flip has Marvin Gaye's Got To Give It Up in much the same style. We Got The Funk is a masterpiece of a party anthem.

7th Wonder - My Love Ain't Never Been This Strong
The Most Requested Rhythm Band - Brick House
Positive Force - We Got The Funk
Central Line - Walking Into Sunshine

Posted by Joel Brüt | 7 comments

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Saturday, August 23, 2008

BEAT ELECTRIC / DECO LOUNGE SF  

Ahh, the self righteous blokes over at Beat Electric, always up on their collective high horse. They provide you with some decent music, free dance parties, etc... blah, blah, blah. In a world where everybody wants something for nothing, we bring you just that. Course there is always a hitch. We ask for one little thing, you drag your ass out of the house and get down with us tonite.

Deco Lounge/ 510 Larkin Street/ SF/ 10pm - 4am/ Free/ FREE !!

In order to not let this post look entirely like shameless self promotional spam (which it basically is), Here is a Patrick Adam's produced electro track from the vaults of Prelude Records to tide you over until you hear the real shit tonite. 

The Tribe - Jungle Rock

Posted by Magnum | 4 comments

Thursday, August 21, 2008

Do You Like The Way That It Feels? (12" version)  


A well known and highly sought after 12" promo single, this partnership of Dennis Coffey and Mike Theodore produced what I think is the biggest dancefloor smasher from either great man.

Much loved by the old school Chicago fraternity, 'Do You Like The Way That It feels' rises above the rest of the efforts of the Tempest Trio project, trading camp for hard edged sass. Powerful and sparse four to the floor drum production combined with abstract yet hooky synth lines, soulful vocal and strong arrangement make this near perfect.

Enjoy in it's full 7:42 extended glory

Tempest Trio - Do You Like The Way That It Feels (12" version)

Posted by Black Shag | 3 comments

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Monday, August 18, 2008

Mainline To My Love  


Some tracks are so good that you have to have more than just one copy. Black Ivory were actually around for a while. They formed as the Mellow Souls in 1969 and were managed by Patrick Adams. They soon picked up Leroy Burgess and changed their name to the ominous sounding Black Ivory. The put out the hit LP Don't Turn Around out on Perception Records in 1971. They put out a couple more LP's in the mid '70 before Leroy Burgess left to work on a myriad of other projects. Burgess came back to pen and arrange the incredible track Mainline with the help of Patrick Adams. Mainline has such a stomp and is so nicely produced it belongs on every dance floor. It is a very funky and soulful track for 1979.

mp3: Black Ivory - Mainline
mp3: Black Ivory - Dance

Posted by Joel Brüt | 2 comments

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Saturday, August 16, 2008

Tick/Tock  



From 1981 comes the fresh debut "Time" from 6 piece, Stone. With its ultra heavy bassline, funky synth stabs and clavinet hits, these guys fit in rather well with the sound contemporaries like The Strikers were helping to pave in the New York City black club scene. Featured here is the instrumental B side of a 12" promo copy on the mighty West End label. Providing the final touch is legendary Better Days club DJ and mix master Tee Scott.

Stone - Time (Instrumental)

Posted by Magnum | 1 comments

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