Tuesday, March 19, 2013

Do What You Will  


San Francisco's Reynolds Records was only around for a few years spanning the 1970s, releasing a catalog of strong Bay Area funk and soul material.  Producer, Songwriter and horn player Steve Marshall's first appearance on the label is on this masterpiece of haunting deep soul.  His subsequent releases on the label head straight into disco territory. After cutting two versions of his hit "Maintain" he released an album length statement Do What You Will in 1978.  The LP is a consistent listen start to finish and leaning toward extended instrumental jamming with clean arrangements.  Disco LPs that are solid beginning to end are a rare breed, combine that fact with the small label pressing of this release and we have a bona fide disco grail on our hands. Here are two of my favorite cuts off the record.

Steve Marhsall - Do What You Will

Steve Marhsall - Maintain (LP version)

Posted by Dogtones | 3 comments

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Saturday, October 08, 2011

Gloria Ann Taylor  


I hope you don't mind if I change it up and post something a bit different (less electric) than most of the material here. I think this record should appeal to many of our readers as fans of soul and left field disco.

The release date of the elusive Deep Inside You EP on Selector Sound is unknown, but I think tracks were probably remixes of material recorded much earlier, updated for the disco era. "Love Is A Hurting Thing" was also released on a 7" with the instrumental on the flip (listed as "How Can You Say It"), though this shorter version lacks the disco back beat and loose dub mixing style heard on the 12". It was probably the best pull of my record digging career when I found this last weekend at what Black Shag would call a car boot, and I am glad to share it with you all.

Gloria Ann Taylor - Love Is A Hurting Thing

Posted by Dogtones | 7 comments

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Saturday, September 03, 2011

We wanna play for all you fooz  


Here is a tight disco boogie jam especially for you. Have a great Labor Day weekend if you are one of the few that is employed; otherwise, enjoy vacation and the free tune.

Brief Encounter - We Want To Play

Posted by Joel Brüt | 2 comments

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Monday, June 27, 2011

Little Mazarati  



Mazarati are known for being an early Minneapolis based Prince produced side project, starring Prince And The Revolution bassist Mark Brown (also known by the bizarre stage name BrownMark). They put out two albums, Mazarati I & II, but are better known for the songs that Prince wrote for them, then took back after hearing the bands demos when he realized the songs had real potential to make some loot.

Amongst the weird and wonderful world of the Prince bootleg collector community, cassette tapes of early Mazarati studio sessions and unreleased material have long been prized. 'Little Mazarati', a mock up of a sort of title track for the band, was never released, and comes from such a traded stolen studio session tape, which then eventually made it onto a Prince Bootleg CD-r compilation in the late 1990's (hence its 128kps, which was standard back then in the olden days of dial up modems and ambient drum'n'bass).

This is some low-fi indie, stripped down boogie funk rock by one of the all time grand masters.

Mazarati - Little Mazarati

Posted by Black Shag | 4 comments

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Saturday, November 14, 2009

T. J. Johnson (pt.2)  


I spent a lot of time going through pictures taken during the riots that took place in Brixton, London in April of 1981, it was hard to choose one, I didn't want to pick anything too explicitly powerful, or anything with a copyright notice on it, both of which were hard.

T. J. Johnson emigrated to the UK from the Caribbean as a youth and produced this record for the London based Switch label in 1982 in the aftermath of the riots, and the storied apex of the UK disco funk scene. Events such as the Brixton riots and the evolution of multi cultural Britain obviously influenced T. J as much of his later independant work right up to the modern day has socially aware lyrical inspiration. He still makes records and gigs on the European soul, funk, and blues circuit, as guitarist for a few bands and leading a couple of his own, although his earliest disco work is mostly forgotten amongst all the session work he did later on in the eighties. He was very much the UK Niles Rogers, both in his guitar technique (which was still distinctly his own) and the quality of his chops.

I have been collecting and championing lesser (and greater) known UK boogie for a while, but of all the rare grails, the most heavy, most monstrous, most dance floor destroying cuts to come out of the early eighties South London funk scene for me must be the first two T. J. Johnson records, the second of which 'I Can Make It (Good For You) / Dragonfly' I posted a while ago, and the first of which, 'Pretty Lady/Lets Do It (Lets Rock)' I'm posting now. Despite 'Pretty Lady' being a small underground hit in the UK I think this is an internet first, so all you thieving funk blogs get ready to repost the rip on zshare.

I haven't posted a secret weapon in a while, I have been holding back for some reason, mostly by some ultra whack hard electro remixes I heard that were sourced from tracks off of the site, but then the other day I remembered what the whole point of this site was meant to be in the first place, and what does it matter. So that being said, here is another one that sends the other DJ's on the lineup home early to jump on ebay. Good luck.

Posted by Black Shag | 23 comments

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Monday, May 18, 2009

Satisfy Your Every Need  


Although Oakland is only a few miles from San Francisco, it is a world away in most regards. Oakland is notorious for its murder rate, car theft, and phyfe side shows these days. There is a huge art community that moved in, lured by the cheap rent; however, there are very few opportunities for people. Another depressing aspect is that there are few places for musicians to play. When I lived there in the mid 90's I watched 3 venues close their doors. About all that was left were the punk club on Gilman street and the Stork Club.

When you hear this track you get the impression that things were not so bad in 1980.

Heaven Sent & Ecstasy - I'm A Lady (LeBaron Edit)

Posted by Joel Brüt | 8 comments

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Friday, May 01, 2009

TOUCH YOUR LIFE  

George & Glen Miller are responsible for the rarest record on West End. Little is known about this amazing release. I wish Mel Cheren would've discussed this more in his book. I've encountered random Soca Lp's from the West Indian vocal duo, as well as a very nice disco 12" called "Easing".

Here is a smooth edit of this rare 12" from a friend of a friend in DC.

George & Glen Miller "Touch Your Life" (edit)

Posted by DISCO TOM | 7 comments

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Tuesday, January 20, 2009

China Burton - You Don't Care  


At long last a proper rip of one of the finest disco cuts ever recorded. A year after I first dropped this gem on Beat Electric, I finally present to you the full uncut long version of You Don't Care (About Our Love) by China Burton. Ripped from a near mint pressing on DJ Joel Vuitton's incredible rig, this mp3 is pure gold.

In case you missed this post the first time around:

China Burton was a British songwriter that had success in the 80's penning tracks for Julian Lennon and Taylor Dayne amongst others. His own recording output was sparse but he did manage to release one single "You Don't Care (About Our Love)" in 1979 on the Logo Records label. This ultra rare cut has one of the hottest breakdowns of any disco number period. The soaring strings, flanged out guitar riffs and synth effects blow this track through the roof. No wonder the single fetches for over $300.00 when it very randomly pops up.

China Burton - You Don't Care (About Our Love) (Long Version)

Posted by Magnum | 15 comments

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Sunday, November 16, 2008

T. J. Johnson Band  


The best dancefloor friendly underground boogie tune is T. J. Johnson Band's 'I Can Make It (Good For You)'
I suppose we may as well shut down the blog now right? I'm disabling the 'post a comment' option as there is no point discussing it, its just fact. There are 9 places left open in the top 10 after this track that you can fight over.

T. J. Johnson is a British guitar player of Caribbean descent. He had a couple of domestic club hits in the early eighties, first with 'Pretty Lady' and then with 'Dragonfly', an incredible instrumental piece that lives on the flip of 'I Can Make It' (both of which I'am posting).

He still plays locally on the UK scene and put a new CD out last year, read a rare interview with him here:


Playing these tracks out in the USA is a real pleasure, the quality is so high they sound like they could have been a major label smash, yet the style is slightly removed from the standard American R'n'B top 40 formula of the time, boogie heads on this side of the Atlantic are left scratching their heads as they peer a look at the turntables then run home to eBay.

Posted by Black Shag | 9 comments

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Wednesday, July 23, 2008

Sweet Contact...  


These are a groovy couple of tracks from Juice on the private label Out-Let Productions. The instrumental of the title track Big Fun is a secret weapon, but the vocal has such a great vibe and such great silly lyrics. The proto-acid house synth is anything but silly. Mercy On Me is a bad ass party jam that lays out all the production tricks, even everyone's favorite: electronic helium. I have no idea where the group or the label is from, or even what year the record is from, but I got the record from New Orleans. Both tracks were written by David LaFleur with others and produced by Willie Delcour, which are French names, so New Orleans natives they may be. Enjoy.

mp3: Juice - Big Fun (Vocal)
mp3: Juice - Mercy On Me

Posted by Joel Brüt | 2 comments

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