
This is a heavy cosmic disco track that is almost guaranteed to get you laid this Valentine's Day. Demis has had a long and storied career of swooning schmaltzy tunes but he put out a couple of great disco records. You can find another one of his tracks in the tags section. Also here is a slow jam to help you seal the deal.
Demis Roussos - L.O.V.E Got A Hold Of Me
Zapp - Computer Love
Posted by LeBarøn
|
Labels:
african disco,
Cosmic Disco,
Demis Roussos

With its anthemic backing track and trippy sped up vocals, Lady Bug is considered by many to be a definitive disco banger. I have always been somewhat dubious of the chipmunk style vocals but Patrick Adams and Greg Carmichael's incredible production work definitely breaks through. There were many 12" versions pressed upon its release in 1978, including the original on Greg Carmichael's Red Greg and a later RCA pressing featuring remix work from two of New York City's hottest DJ's at the time: John Morales and Larry Levan. These were both very early remix gigs for Morales and Levan and in my humble opinion Morales's hypnotic dancefloor mix shines brighter than Levan's more sparse version. UK label BBE recently issued a stellar comp featuring classic Morales remixes and a bunch of unreleased M&M session mixes from the era.
Bumblebee Unlimited - Lady Bug (John Morales Mix)
Bumblebee Unlimited - Lady Bug (Larry Levan Mix)
Posted by BT Magnum
|
Labels:
Greg Carmichael,
John Morales,
Larry Levan,
Patrick Adams

Legendary dance music label Mirage Records was formed in 1980 by brother Bob and Jerry Greenberg, Bob holding down the West coast and Jerry setting up office in the East. Jerry had previously been the youngest ever major record company executive, moving to the top position at Atlantic Records at age 32, and both brothers had storied careers in the music and entertainment industry that continues to this day. They have restaurants in Vegas and Jerry was involved in Michael Jackson's music rights holding company, sitting as chairman for Michael throughout the 90's.
Mirage was famous for producing underground electro funk and freestyle records that successfully crossed over to the mainstream. A couple of years ago John Morales remastered a selection of Mirage releases from the original tapes for the small indie re-release label FTG (Funky Town Grooves) records, which released them as an under the radar CD compilation series in the UK. They look like low quality bootlegs from the photoshopped, cheaply printed covers, but they are legit. Please seek these out and buy all 3 volumes so I don't feel so bad about posting a few of these great remasters.
Wait.. I don't feel bad, here is the music:
Break Machine - Break Dance Party
First Love - Can I Be With You Tonight
Terri Jones - Do It Again Tonight
First Love - Give Me Your Love
Norma Jean Wright - Love Attack
Blue Magic - Magic Number
Ingram - Smoothin Groovin
Ingram - When You're Hot Your Hot
The System - You Are In My System
Posted by Black Shag
|
Labels:
boogie,
electro,
mirage records

These tracks may be a bit too smooth for some of you, but Valentines Day is coming up so all you foos better get with the program. Cecil and Linda Womack make up the husband and wife duo Womack & Womack. Linda Womack is the late Sam Cooke's daughter and Cecil's brother Bobby Womack is a well known R&B artist. There are quite a few scandals that surround the family and as it turns out, Linda is Cecil's niece through marriage.
Womack & Womack have a very unique sound that seems to blend modern soul, country, and pop seamlessly. There is a lot of Sam Cook influence in there as well. I first heard Conscience of My Conscience in the Henrik Schwarz DJ Kicks and it remains one of my favorite jamz. I picked up the Strange and Funny 12" a while back and I love its country soul vibe. Teardrops is a dancefloor ready tune that was recently covered (and surprisingly, not in an "ironic" indie way) by the xx.
Womack & Womack - Conscience Of My Conscience
Womack & Womack - Teardrops (Extended Remix)
Womack & Womack - Strange And Funny
Posted by LeBarøn
|
Labels:
Bobby Womack,
modern soul,
Womack and Womack

Using a picture of a tricked out, synthesizer laden studio from 1987 is a little misrepresentative of a orchestral disco track from 1977, but I like pictures of machines and the artist behind the track in question, Mike Theodore, doesn't have many redeeming mug shots laying around the internet. I did find one from Soul And Blues Magazine, but it makes him look like a cheerful college professor and doesn't give him the druggy, edgy, party genius sheen that we like to impose on our borrowed remembrance of every figure form this era. The photo was all in focus and he was smiling.
The Bull is from Cosmic Wind, The Mike Theodore Orchestra's debut LP. It was used as the entry music for an NFL player of the time, also nicknamed The Bull, and would play whenever he ran onto the field, the vocals were sung by a local belly dancer the guys in the band had met at the Playboy Club whilst on a night out shortly before recording.
This one is self indulgent and fun.
Posted by Black Shag
|
Labels:
disco

This track needs little introduction. If you are a boogie nerd and dig that 1984 sound, then you probably know and love the lone Exquisite Taste 12" on NYC imprint Starlite Records.
Exquisite Taste - It's You That's Happening
Exquisite Taste - It's You That's Happening (Instrumental)
Exquisite Taste - It's You That's Happening (Acappella)
Posted by BT Magnum
|
Labels:
Boogie-Funk,
Exquisite Taste

Starting slow and then building into a full on, jam packed disco groove, "Get Another Love" was Chantal Curtis' biggest hit. The version posted here is a 12" promo single from 1979 on Key Records. Chantal and producer Pierre Jaubert created a sexy and sultry full-bodied song. I love all the instrumentation and breaks and how totally wickedly amazing the harmonica sounds. Everything in this song just sways and has some sort of passionate, languid confidence that makes it a real gem.
Chantal Curtis - Get Another Love
Posted by T. Preston
|

The Guardian Angels are a vigilante force probably formed in Norwich, Norfolk in 1979, during the height of the disco era, as a public response to violent social decay and increased crime on the Sanders Coach line between Horsford and Cromer.
The Guardian Angel movement soon spread to other major world cities such as New York, Los Angeles and even here in San Francisco, where ordinary citizens dressed in distinctive red berets and trained in self defense would patrol the streets, turning the tide of intimidation and filling a void left by the under staffed police forces.
Such an icon of the time were the Guardian Angels, protecting party goers on the late night subway lines, that several hit songs and dance records of the day were dedicated to and inspired by them. Here are two of the best, P&P disco funk classic 'The Guardian Angel Is Watching Over Us' by The Golden Flamingo Orchestra and my own edit of the much lesser known italo influenced 'Angel Man' by Rhetta Hughes:
Posted by Black Shag
|
Labels:
blackshag edit,
disco,
edits,
funk,
guardian angels

This release compiled and edited by Ron Hardy in 1989 showcased some of Frankie Knuckle's finest work on the groundbreaking Chicago label, Trax Records. From his time as the house DJ at Chicago's legendary Warehouse club circa '77-'82, Knuckles was at the forefront of the original and only legit American House music movement. Nowadays Knuckles has a fetish for chillin' out in his ample collection of Louis Vuitton gear. I scored his cell phone number from my friend who works in the LV call center but I haven't had the nerve yet to cold call him and fire up a conversation. Anyways, my apologies for the somewhat dicey quality of these recordings. I scored this LP sealed at a flea market but most Trax records were cheap shit and I think they forgot to master the recordings for the wax pressings. That said, I believe that was actually part of the label's charm.
Posted by BT Magnum
|
Labels:
chicago house,
frankie knuckles,
Ron Hardy,
trax records

This Plastic Bertrand edit by the late great Ron Hardy has a loop that you can listen to forever. It evokes a patient dance floor full of enchanted people. Here also is a mix is from Ron Hardy's own club in Chicago, the Music Box which was in the old home of the Powerplant. This mix really well represents his playful and eclectic mixing style.
Plastic Bertrand - Stop Ou Encore (Ron Hardy Re-Edit)
Playlist:
1. Nightlife Unlimited: Peaches & Prunes (edit)
2. Two of China: Los Niños Del Parque (Tormenta-Mix)
3. Virgo: Free Yourself
4. Frankie Knuckles: It’s A Cold World
5. Frankie Knuckles: Baby Wants to Ride
6. Tempest Trio: Do You Like The Way It Feels
7. Hercules: 7 Ways
8. The Originals: Down To Love Town (edit)
9. Parlet: Pleasure Principle
10. Sleeque: One for the Money
11. Carl Bean: I Was Born This Way (Better Days Version)
12. Billy Paul: Only the Strong Survive (edit)
13. Loleatta Holloway: Catch Me on the Rebound (Disco Madness Remix edit)
14. Harold Melvin and The Blue Notes: Don’t Leave Me This Way
15. Loose Joints: Is It All Over My Face (Male Version/Female Version)/reversed
16. Blue Magic: Welcome to the Club (edit)
17. Teddy Pendergrass: The More I Get, The More I Want (edit)
Ron Hardy - Live at the Music Box 1986
Posted by LeBarøn
|
Labels:
chicago house,
deep house,
Ron Hardy

We lost another soul great. There are obituaries for Teddy Pendergrass all over the media right now, and I'm no authority so I will refrain from trying to cut and paste his life story from other sources, but in tribute I'm going to put up my favorite electro funk tinged number from his 1983 Heaven Only Knows album on CBS:
.. and seeing as I'm putting up music from unsung major label modern soul heroes, here is an instrumental British offering from 1987:
Posted by Black Shag
|
Labels:
teddy pendergrass,
the style council

Beyond the fact that singer/guitarist Steve Shelto (or Mr. Class as he is now known) recorded an exceptional 12" for Sam records in 1983, he also managed to perform at Ronald Reagan's 2nd inauguration and the Queen of England's 60th birthday party. Not bad for a guy with one solo 12" and a only a couple of releases with his previous band Area Code (212). These days you can find Steve as an extra in the upcoming Will Ferrel film The Other Guys and performing with his band during tourist season in Naples, Florida. Nice one.
Steve Shelto - Don't You Give Your Love Away (Shep Pettibone Mix)
Steve Shelto -Don't You Give Your Love Away (Instrumental)
Posted by BT Magnum
|
Labels:
Boogie-Funk,
Ronald Reagan,
Shep Pettibone,
Steve Shelto

This lazer soul jam was released in 1985 on Genius Records, a Macola subsidiary. This track was born in the days of ultra slick modern soul production. It could have done without the guitar solo, but nevertheless, it would be a good track for a good old fashioned dance off.
Kristine - No One Can Tell Me (Long Vocal)
Posted by LeBarøn
|
Labels:
Kristine,
Lazer Soul

The not so aptly titled Wreckin' Crew formed in Chicago, Il. in the late 70's and you can read their bio here. At least regionally Found The Groove was a fairly well known boogie-funk cut that was released in 1981 on several different imprints including this 7" version on private Chicago label Starville. We received an email a while back requesting we post the b-side modern soul cut You Don't Care as it was included on the Funkacise mix LeBaron and I put out early last year. After giving it a listen the other nite I came to the conclusion that edits were in order for both sides of this 7". You Don't Care was a minor one, a bad horn solo desperately needed removal. Found the Groove on the other hand needed pretty major surgery. Some outdated P-Funk bits and a shit chorus made a potentially stellar track fall flat.
Wreckin Crew - Found The Groove (BT Magnum Edit)
Wreckin Crew - You Don't Care (Edit)
Posted by BT Magnum
|
Labels:
Beat Electric Edit,
Boogie-Funk,
modern soul,
Wreckin Crew

Happy New Year from B.E, I hope everyone enjoyed themselves to excess. I guess this is the first post of 2010, so to keep things in a jubilant, optimistic mood I'm going to post a feel good proto boogie number, yet again, from the West End stable.
I Get Lifted was written by H.W Casey and Rick Finch of K.C and the Sunshine Band fame, and comes with a mix by label owner Mel Cheren himself.
The Sweet Life - I Get Lifted
Posted by Black Shag
|
Labels:
boodie,
disco,
West End Records

The late Ray Caviano was the A&R man for T.K. Records and its offshoot Marlin during the peak 70's disco era signing Voyage, Kat Mandu and a slew of other artists. Caviano left T.K. in 1978 to become the Executive Director of Disco (dream job) at Warner Brothers Records. Warner gave him his own imprint RFC Records titled after his initials. Caviano executive produced many LP's and 12"s in the late 70's/early 80's for Warner/Atlantic and struck up a partnership with Quality Records in Canada with some notable releases from Jimmy Ross and A Number of Names amongst others. Today I am posting a few jams from the RFC/Atlantic stable circa '81-'83. All told, if you are out hunting for disco or boogie 12's and see the RFC imprint it's quite likely you will have a pretty decent cut on your hands.
Tomorrow's Edition - U Turn Me On
Prestige - Cheating
Suzy Q - Get On Up Do It Again
Attitude - We Got The Juice
Change - This Is Your Time
Posted by BT Magnum
|
Labels:
Boogie-Funk,
Italo Boogie,
Ray Caviano,
RFC Records

Fela Kuti was a very accomplished Nigerian multi-instrumentalist and recording artist who was the founder of afrobeat and funk. His 1975 record Expensive Shit was ground breaking with its long and funky tracks. Here is one of my favorite jamz.
Fela Kuti - It's Not Possible
Posted by LeBarøn
|
Labels:
African Boogie,
Afrobeat,
fela Kuti

So this is a picture of classical jazz pianist Oscar Peterson with the Roland TB-303 and TR-606, taken from the original Roland brochure in 1982. This is what they intended the machines to be used for when they designed them I suppose, and Oscar is probably smiling, wondering when this easy money photoshoot will be over so he can go back to the studio and lay it down with a real drummer and bass player. I doubt many Oscar Peterson's bothered picking up either machine, but they did take off, hence the blog exists probably. I just thought the photo was funny in retrospect, it would have been cool if old bebop guys in tuxedos jammed on the 303 a little more.
I'm putting up a soulful electro boogie jam by Chuck Stanley, produced in 1984, two years before his Def Jam era began, and two records I found whilst digging recently, a proto techno number from Egyptian Lover named Computer Love, and a novelty electro instrumental mashup from Italy of Chic's Good Times with Stevie Wonder's Superstition (ha! no its good) :
Posted by Black Shag
|
Labels:
boogie,
Chic,
chuck stanley,
egyptian lover,
electro

In keeping with the spirit of Black Shag's Africa post and Beat Electric's permanent ban on any Christmas related music, today we celebrate the African-American holiday Kwanzaa with this Hugh Masekela joint on the Jive Afrika imprint. Jive Afrika was created as a catalyst for Masekela's early 80's output which shifted towards electronic and boogie oriented sounds. The sub label never grew much beyond Masekela and a couple of other artists, but I like the idea behind it. I just wish they could have dug up more African boogie gems such as this one.
Hugh Masekela - Don't Go Lose It Baby (Stretch Mix)
Hugh Masekela - Don't Go Lose It Baby (Dub Mix)
Hugh Masekela - Don't Go Lose It Baby (BT Magnum Edit)
Posted by BT Magnum
|
Labels:
African Boogie,
Hugh Masakela,
Jive Afrika

This track led to Jimmy Jam and Terry Lewis getting kicked out of The Time. The two band mates produced this record while on a brief hiatus when they were in Prince's group The Time. After this recording session, they got stuck in a blizzard and were stranded in Atlanta; unable to meet the band for their next tour date. Prince fired them. The subsequent success of this record launched their long production career.
Jimmy Jam and Terry Lewis had an amazing ability take an act that had disappeared into mediocrity and mold into a powerful force. The duo rescued the S.O.S. band from workout disco obscurity when they penned this jam that was released on Tabu in 1983. This track is the epitome of their lazer soul sound that went on change the face of R&B into the late 80's.
The S.O.S. Band - Just Be Good To Me (Long Version)
Posted by LeBarøn
|
Labels:
Jimmy Jam,
Lazer Soul,
Terry Lewis,
The S.O.S. Band

There are much better resources out there for African dance music than BE, in fact I should run up a list of some of my favorites an append them to this post. African electro boogie is a hot and hard to come by commodity, and in my collection I only have a few stand out pieces, its not something you find digging around the US West Coast. I'm going to put up my two favorite slightly westernised takes on Afro Disco by the known and widely distributed Manu Dibango, off of his self titled 1978 LP, I love these:
As an added bonus, here are 3000 thirty second to a minute snippets from a collection of mostly ultra rare high life, disco, funk, psych, electro and boogie 45's from throughout Africa. They are not complete tracks, but then I can entertain myself for hours just flicking through, taking in all the different sounds and influences. Beat and sample hunters, merry christmas etc:
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 500 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 578 579 580 581 582 583 584 585 586 587 588 589 590 591 592 593 594 595 596 597 598 599 600 601 602 603 604 605 606 607 608 609 610 611 612 613 614 615 616 617 618 619 620 621 622 623 624 625 626 627 628 629 630 631 632 633 634 635 636 637 638 639 640 641 642 643 644 645 646 647 648 649 650 651 652 653 654 655 656 657 658 659 660 661 662 663 664 665 666 667 668 669 670 671 672 673 674 675 676 677 678 679 680 681 682 683 684 685 686 687 688 689 690 691 692 693 694 695 696 697 698 699 700 701 702 703 704 705 706 707 708 709 710 711 712 713 714 715 716 717 718 719 720 721 722 723 724 725 726 727 728 729 730 731 732 733 734 735 736 737 738 739 740 741 742 743 744 745 746 747 748 749 750 751 752 753 754 755 756 757 758 759 760 761 762 763 764 765 766 767 768 769 770 771 772 773 774 775 776 777 778 779 780 781 782 783 784 785 786 787 788 789 790 791 792 793 794 795 796 797 798 799 800 801 802 803 804 805 806 807 808 809 810 811 812 813 814 815 816 817 818 819 820 821 822 823 824 825 826 827 828 829 830 831 832 833 834 835 836 837 838 839 840 841 842 843 844 845 846 847 848 849 850 851 852 853 854 855 856 857 858 859 860 861 862 863 864 865 866 867 868 869 870 871 872 873 874 875 876 877 878 879 880 881 882 883 884 885 886 887 888 889 890 891 892 893 894 895 896 897 898 899 900 901 902 903 904 905 906 907 908 909 910 911 912 913 914 915 916 917 918 919 920 921 922 923 924 925 926 927 928 929 930 931 932 933 934 935 936 937 938 939 940 941 942 943 944 945 946 947 948 949 950 951 952 953 954 955 956 957 958 959 960 961 962 963 964 965 966 967 968 969 970 971 972 973 974 975 976 977 978 979 980 981 982 983 984 985 986 987 988 989 990 991 992 993 994 995 996 997 998 999 1000 1001 1002 1003 1004 1005 1006 1007 1008 1009 1010 1011 1012 1013 1014 1015 1016 1017 1018 1019 1020 1021 1022 1023 1024 1025 1026 1027 1028 1029 1030 1031 1032 1033 1034 1035 1036 1037 1038 1039 1040 1041 1042 1043 1044 1045 1046 1047 1048 1049 1050 1051 1052 1053 1054 1055 1056 1057 1058 1059 1060 1061 1062 1063 1064 1065 1066 1067 1068 1069 1070 1071 1072 1073 1074 1075 1076 1077 1078 1079 1080 1081 1082 1083 1084 1085 1086 1087 1088 1089 1090 1091 1092 1093 1094 1095 1096 1097 1098 1099 1100 1101 1102 1103 1104 1105 1106 1107 1108 1109 1110 1111 1112 1113 1114 1115 1116 1117 1118 1119 1120 1121 1122 1123 1124 1125 1126 1127 1128 1129 1130 1131 1132 1133 1134 1135 1136 1137 1138 1139 1140 1141 1142 1143 1144 1145 1146 1147 1148 1149 1150 1151 1152 1153 1154 1155 1156 1157 1158 1159 1160 1161 1162 1163 1164 1165 1166 1167 1168 1169 1170 1171 1172 1173 1174 1175 1176 1177 1178 1179 1180 1181 1182 1183 1184 1185 1186 1187 1188 1189 1190 1191 1192 1193 1194 1195 1196 1197 1198 1199 1200 1201 1202 1203 1204 1205 1206 1207 1208 1209 1210 1211 1212 1213 1214 1215 1216 1217 1218 1219 1220 1221 1222 1223 1224 1225 1226 1227 1228 1229 1230 1231 1232 1233 1234 1235 1236 1237 1238 1239 1240 1241 1242 1243 1244 1245 1246 1247 1248 1249 1250 1251 1252 1253 1254 1255 1256 1257 1258 1259 1260 1261 1262 1263 1264 1265 1266 1267 1268 1269 1270 1271 1272 1273 1274 1275 1276 1277 1278 1279 1280 1281 1282 1283 1284 1285 1286 1287 1288 1289 1290 1291 1292 1293 1294 1295 1296 1297 1298 1299 1300 1301 1302 1303 1304 1305 1306 1307 1308 1309 1310 1311 1312 1313 1314 1315 1316 1317 1318 1319 1320 1321 1322 1323 1324 1325 1326 1327 1328 1329 1330 1331 1332 1333 1334 1335 1336 1337 1338 1339 1340 1341 1342 1343 1344 1345 1346 1347 1348 1349 1350 1351 1352 1353 1354 1355 1356 1357 1358 1359 1360 1361 1362 1363 1364 1365 1366 1367 1368 1369 1370 1371 1372 1373 1374 1375 1376 1377 1378 1379 1380 1381 1382 1383 1384 1385 1386 1387 1388 1389 1390 1391 1392 1393 1394 1395 1396 1397 1398 1399 1400 1401 1402 1403 1404 1405 1406 1407 1408 1409 1410 1411 1412 1413 1414 1415 1416 1417 1418 1419 1420 1421 1422 1423 1424 1425 1426 1427 1428 1429 1430 1431 1432 1433 1434 1435 1436 1437 1438 1439 1440 1441 1442 1443 1444 1445 1446 1447 1448 1449 1450 1451 1452 1453 1454 1455 1456 1457 1458 1459 1460 1461 1462 1463 1464 1465 1466 1467 1468 1469 1470 1471 1472 1473 1474 1475 1476 1477 1478 1479 1480 1481 1482 1483 1484 1485 1486 1487 1488 1489 1490 1491 1492 1493 1494 1495 1496 1497 1498 1499 1500 1501 1502 1503 1504 1505 1506 1507 1508 1509 1510 1511 1512 1513 1514 1515 1516 1517 1518 1519 1520 1521 1522 1523 1524 1525 1526 1527 1528 1529 1530 1531 1532 1533 1534 1535 1536 1537 1538 1539 1540 1541 1542 1543 1544 1545 1546 1547 1548 1549 1550 1551 1552 1553 1554 1555 1556 1557 1558 1559 1560 1561 1562 1563 1564 1565 1566 1567 1568 1569 1570 1571 1572 1573 1574 1575 1576 1577 1578 1579 1580 1581 1582 1583 1584 1585 1586 1587 1588 1589 1590 1591 1592 1593 1594 1595 1596 1597 1598 1599 1600 1601 1602 1603 1604 1605 1606 1607 1608 1609 1610 1611 1612 1613 1614 1615 1616 1617 1618 1619 1620 1621 1622 1623 1624 1625 1626 1627 1628 1629 1630 1631 1632 1633 1634 1635 1636 1637 1638 1639 1640 1641 1642 1643 1644 1645 1646 1647 1648 1649 1650 1651 1652 1653 1654 1655 1656 1657 1658 1659 1660 1661 1662 1663 1664 1665 1666 1667 1668 1669 1670 1671 1672 1673 1674 1675 1676 1677 1678 1679 1680 1681 1682 1683 1684 1685 1686 1687 1688 1689 1690 1691 1692 1693 1694 1695 1696 1697 1698 1699 1700 1701 1702 1703 1704 1705 1706 1707 1708 1709 1710 1711 1712 1713 1714 1715 1716 1717 1718 1719 1720 1721 1722 1723 1724 1725 1726 1727 1728 1729 1730 1731 1732 1733 1734 1735 1736 1737 1738 1739 1740 1741 1742 1743 1744 1745 1746 1747 1748 1749 1750 1751 1752 1753 1754 1755 1756 1757 1758 1759 1760 1761 1762 1763 1764 1765 1766 1767 1768 1769 1770 1771 1772 1773 1774 1775 1776 1777 1778 1779 1780 1781 1782 1783 1784 1785 1786 1787 1788 1789 1790 1791 1792 1793 1794 1795 1796 1797 1798 1799 1800 1801 1802 1803 1804 1805 1806 1807 1808 1809 1810 1811 1812 1813 1814 1815 1816 1817 1818 1819 1820 1821 1822 1823 1824 1825 1826 1827 1828 1829 1830 1831 1832 1833 1834 1835 1836 1837 1838 1839 1840 1841 1842 1843 1844 1845 1846 1847 1848 1849 1850 1851 1852 1853 1854 1855 1856 1857 1858 1859 1860 1861 1862 1863 1864 1865 1866 1867 1868 1869 1870 1871 1872 1873 1874 1875 1876 1877 1878 1879 1880 1881 1882 1883 1884 1885 1886 1887 1888 1889 1890 1891 1892 1893 1894 1895 1896 1897 1898 1899 1900 1901 1902 1903 1904 1905 1906 1907 1908 1909 1910 1911 1912 1913 1914 1915 1916 1917 1918 1919 1920 1921 1922 1923 1924 1925 1926 1927 1928 1929 1930 1931 1932 1933 1934 1935 1936 1937 1938 1939 1940 1941 1942 1943 1944 1945 1946 1947 1948 1949 1950 1951 1952 1953 1954 1955 1956 1957 1958 1959 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023 2024 2025 2026 2027 2028 2029 2030 2031 2032 2033 2034 2035 2036 2037 2038 2039 2040 2041 2042 2043 2044 2045 2046 2047 2048 2049 2050 2051 2052 2053 2054 2055 2056 2057 2058 2059 2060 2061 2062 2063 2064 2065 2066 2067 2068 2069 2070 2071 2072 2073 2074 2075 2076 2077 2078 2079 2080 2081 2082 2083 2084 2085 2086 2087 2088 2089 2090 2091 2092 2093 2094 2095 2096 2097 2098 2099 2100 2101 2102 2103 2104 2105 2106 2107 2108 2109 2110 2111 2112 2113 2114 2115 2116 2117 2118 2119 2120 2121 2122 2123 2124 2125 2126 2127 2128 2129 2130 2131 2132 2133 2134 2135 2136 2137 2138 2139 2140 2141 2142 2143 2144 2145 2146 2147 2148 2149 2150 2151 2152 2153 2154 2155 2156 2157 2158 2159 2160 2161 2162 2163 2164 2165 2166 2167 2168 2169 2170 2171 2172 2173 2174 2175 2176 2177 2178 2179 2180 2181 2182 2183 2184 2185 2186 2187 2188 2189 2190 2191 2192 2193 2194 2195 2196 2197 2198 2199 2200 2201 2202 2203 2204 2205 2206 2207 2208 2209 2210 2211 2212 2213 2214 2215 2216 2217 2218 2219 2220 2221 2222 2223 2224 2225 2226 2227 2228 2229 2230 2231 2232 2233 2234 2235 2236 2237 2238 2239 2240 2241 2242 2243 2244 2245 2246 2247 2248 2249 2250 2251 2252 2253 2254 2255 2256 2257 2258 2259 2260 2261 2262 2263 2264 2265 2266 2267 2268 2269 2270 2271 2272 2273 2274 2275 2276 2277 2278 2279 2280 2281 2282 2283 2284 2285 2286 2287 2288 2289 2290 2291 2292 2293 2294 2295 2296 2297 2298 2299 2300 2301 2302 2303 2304 2305 2306 2307 2308 2309 2310 2311 2312 2313 2314 2315 2316 2317 2318 2319 2320 2321 2322 2323 2324 2325 2326 2327 2328 2329 2330 2331 2332 2333 2334 2335 2336 2337 2338 2339 2340 2341 2342 2343 2344 2345 2346 2347 2348 2349 2350 2351 2352 2353 2354 2355 2356 2357 2358 2359 2360 2361 2362 2363 2364 2365 2366 2367 2368 2369 2370 2371 2372 2373 2374 2375 2376 2377 2378 2379 2380 2381 2382 2383 2384 2385 2386 2387 2388 2389 2390 2391 2392 2393 2394 2395 2396 2397 2398 2399 2400 2401 2402 2403 2404 2405 2406 2407 2408 2409 2410 2411 2412 2413 2414 2415 2416 2417 2418 2419 2420 2421 2422 2423 2424 2425 2426 2427 2428 2429 2430 2431 2432 2433 2434 2435 2436 2437 2438 2439 2440 2441 2442 2443 2444 2445 2446 2447 2448 2449 2450 2451 2452 2453 2454 2455 2456 2457 2458 2459 2460 2461 2462 2463 2464 2465 2466 2467 2468 2469 2470 2471 2472 2473 2474 2475 2476 2477 2478 2479 2480 2481 2482 2483 2484 2485 2486 2487 2488 2489 2490 2491 2492 2493 2494 2495 2496 2497 2498 2499 2500 2501 2502 2503 2504 2505 2506 2507 2508 2509 2510 2511 2512 2513 2514 2515 2516 2517 2518 2519 2520 2521 2522 2523 2524 2525 2526 2527 2528 2529 2530 2531 2532 2533 2534 2535 2536 2537 2538 2539 2540 2541 2542 2543 2544 2545 2546 2547 2548 2549 2550 2551 2552 2553 2554 2555 2556 2557 2558 2559 2560 2561 2562 2563 2564 2565 2566 2567 2568 2569 2570 2571 2572 2573 2574 2575 2576 2577 2578 2579 2580 2581 2582 2583 2584 2585 2586 2587 2588 2589 2590 2591 2592 2593 2594 2595 2596 2597 2598 2599 2600 2601 2602 2603 2604 2605 2606 2607 2608 2609 2610 2611 2612 2613 2614 2615 2616 2617 2618 2619 2620 2621 2622 2623 2624 2625 2626 2627 2628 2629 2630 2631 2632 2633 2634 2635 2636 2637 2638 2639 2640 2641 2642 2643 2644 2645 2646 2647 2648 2649 2650 2651 2652 2653 2654 2655 2656 2657 2658 2659 2660 2661 2662 2663 2664 2665 2666 2667 2668 2669 2670 2671 2672 2673 2674 2675 2676 2677 2678 2679 2680 2681 2682 2683 2684 2685 2686 2687 2688 2689 2690 2691 2692 2693 2694 2695 2696 2697 2698 2699 2700 2701 2702 2703 2704 2705 2706 2707 2708 2709 2710 2711 2712 2713 2714 2715 2716 2717 2718 2719 2720 2721 2722 2723 2724 2725 2726 2727 2728 2729 2730 2731 2732 2733 2734 2735 2736 2737 2738 2739 2740 2741 2742 2743 2744 2745 2746 2747 2748 2749 2750 2751 2752 2753 2754 2755 2756 2757 2758 2759 2760 2761 2762 2763 2764 2765 2766 2767 2768 2769 2770 2771 2772 2773 2774 2775 2776 2777 2778 2779 2780 2781 2782 2783 2784 2785 2786 2787 2788 2789 2790 2791 2792 2793 2794 2795 2796 2797 2798 2799 2800 2801 2802 2803 2804 2805 2806 2807 2808 2809 2810 2811 2812 2813 2814 2815 2816 2817 2818 2819 2820 2821 2822 2823 2824 2825 2826 2827 2828 2829 2830 2831 2832 2833 2834 2835 2836 2837 2838 2839 2840 2841 2842 2843 2844 2845 2846 2847 2848 2849 2850 2851 2852 2853 2854 2855 2856 2857 2858 2859 2860 2861 2862 2863 2864 2865 2866 2867 2868 2869 2870 2871 2872 2873 2874 2875 2876 2877 2878 2879 2880 2881 2882 2883 2884 2885 2886 2887 2888 2889 2890 2891 2892 2893 2894 2895 2896 2897 2898 2899 2900 2901 2902 2903 2904 2905 2906 2907 2908 2909 2910 2911 2912 2913 2914 2915 2916 2917 2918 2919 2920 2921 2922 2923 2924 2925 2926 2927 2928 2929 2930 2931 2932 2933 2934 2935 2936 2937 2938 2939 2940 2941 2942 2943 2944 2945 2946 2947 2948 2949 2950 2951 2952 2953 2954 2955 2956 2957 2958 2959 2960 2961 2962 2963 2964 2965 2966 2967 2968 2969 2970 2971 2972 2973 2974 2975 2976 2977 2978 2979 2980 2981 2982 2983 2984 2985 2986 2987 2988 2989 2990 2991 2992 2993 2994 2995 2996
Posted by Black Shag
|
Labels:
african disco,
afro disco,
afro funk,
disco,
Manu Dibango

These are both amazing tracks by Southroad Connection, though I have to be honest my heart lies with "You Like It, We Love It". There's something infectious about it that inspires toe tapping and jauntiness whenever it plays. It's got such an upbeat style with all the ear candy and unique sounds that fly in throughout the song. The strings short strikes and sweeping sounds really shine and I think the percussive elements are genius.
"Just Layin' It Down" has very similar stylings, you can very clearly tell these two tracks are by the same artist. Though this one uses lots of fun laser sounds...you know we here at BE love lasers. Or, should I say lazers.
Posted by T. Preston
|
Labels:
Southroad Connection

I am back from the dead and while it will be difficult to compete with Black Shag's Full Time post or his amazing edits of our dear friend Anonymous's rather deft comments, I do have a few tracks up my sleeve before I retire for good. We have gotten several emails as of late from some serious overachievers looking to be contributers on the blog. The clown committee will have a vote sometime in the coming months and a decision will be made as to who can be the lucky sucker because lord knows this is a thankless gig.
Anyways, on to the music.
You may know Silver Platinum and Gold from the mid 70's 12" Single Just Friends or its B-Side I Got a Thing which Dimitri from Paris edited and released on the Disco Forever II comp back in 2000. Released in 1981 Hollywood was SPG's second and final LP. The Silver, Platinum and Gold Theme was the lead track on an otherwise mediocre record, but damn does this one slam hard. I did a quick extended edit of this track as it's so good I simply did not want it to end.
Silver, Platinum and Gold - SPG Theme (Extended Edit)
Posted by BT Magnum
|
Labels:
Boogie-Funk,
Silver Platinum and Gold

This track makes me imagine a mid day street party in New York with people getting down everywhere. People thowin' down with fire hydrants splashing everywhere. Let's thow that party one of these days.
The Paul Simpson connection put out a couple of records in the early 80's. This one, from 1982 on Streetwise Records is about as proto-garage as you can get.
Paul Simpson Connection - Use Me, Lose Me
Posted by LeBarøn
|
Labels:
boogie,
garage house,
paul simpson connection

The rest of BeatElectric crew have been partying and DJ'ing for huge grips of euro in far off cities, and have likely been too wrapped up in their own hedonism to post all week. Thats fine though, because I'm unpopular and didn't get invited anywhere, and thus can hold it down. If you are a clownish self promoting band waggon jumping funk collector who likes harping on about how rare their records are, even when they are not, and can spell ok, then please, send in your resume to BeatElectric@gmail.com, as depending on whether I ever see BT Magnum, LeBaron or Kelley B ever again some spaces may have opened up.
Moving on..
FullTime Records has had a few different names over the years and operated many sublabels and is still in existence today. It was better known in the US throughout the seventies as Goody Records, and went on to distribute US produced danced records in Italy. It was home at one time or another to many of the Italo disco and boogie greats, such as Kano, Ago, Rainbow Team etc. Here is a selection of some of my favorite Full Time releases:
Maurice Mc Gee - Do I Do (Dub Instrumental)
Rainbow Team - Let Your Body (Original Album)
Peter Richard - Walking In the Neon (Dub Version)
Vin Zee - Funky Be Bop (Instrumental)
J.R. Funk and the Love Machine - Make Your Body Move (Original)
J.R. Funk and the Love Machine - Feel Good Party Time (Original)
The Creatures - Dance of the Silver Girls (Album)
The Creatures - Kid Robot Dance (Album)
The Creatures - Machine's Drama (Album)
The Creatures - The Other World's Robots (Album)
Rainbow Team - Darling
Marzio Dance - Rap-o-Hush (Another Version)
Selection - bel On The Run
Selection - irit At The End
Peter Richard - Strange Desires (Instrumental)
Xenon - Symphony (Versione Dance)
Tom Hooker - Talk With Your Body (Instrumental)
C.A.U.T.I.O.N. - Ufo (Instrumental)
Ago - You Make Me Do It (Original Instrumental)
Posted by Black Shag
|
Labels:
boogie,
fulltime,
Italo

A couple of unrelated records today, the only thing they have in common is that I pulled them out of the same mildew ridden box in a kindly old geezer's garage. That and I love them both.
Matrix was another one off project by italo funk super producer Sangy (aka Maurizio Sangineto) , who was also well known as the producer behind Firefly, Armed gang etc. Story has it that he would record American vocalists who were stationed by the US armed forces near his home town in Italy. Maybe the strong female vocal on Stay and Take Me Up also belongs to a member of the US Armed Forces, its hard to tell as she is not credited on the record, but the 12" does appear on SugarScoop which was a New York based electro label. Who knows, I could always email him and ask, as he appears to run an online web media production business in Italy now.
Take Me Up was a track I had been looking for for a long while, I had heard it on one of the Argentine Gapul disco compilations but the pressing was bad and the dynamics left a little to be desired, so I was happy to come accross the 12". Its almost a hi nrg take on the electro funk sound. Stay (I Need Your Love) turned out to be the A side and was new to me and is more subdued but with the same amazing bass synth sound.
Are we not allowed to talk about Michael Jackson anymore? Is it a bit late to be making a memorial post? Should I have moved on?. To be honest I would have posted this anyway despite his passing. Its a megamix of covers, intrumentals, versions and reprises of MJ's popular hits by Ashaye and the hit and miss Montage label.
If you spinning and someone asks you to play a Michael Jackson song, and you feel bad about saying no, then this is all you need, fully mixed and twice as funky. Take the opportunity to go have a cigarette and use the rest room.
Posted by Black Shag
|
Labels:
african disco,
ashaye,
boogie,
brit funk,
Italo Funk,
Matrix,
megamix,
Michael Jackson,
montage

I have been going 5,000 miles an hour all day today (sadly not to a distant planet like our man Marvin here) and so I am pretty much at a loss for anything remotely smart or entertaining to write. I think this song is just brilliant. It's Marvin Gaye, it's about space, it's about getting down on a space bed, smoking something that "ain't classified as dope" from Venus, and about razzmatazzing.
That's it. I like it. It makes me happy.
Marvin Gaye - A Funky Space Reincarnation
Posted by T. Preston
|
Labels:
Marvin Gaye

Circa 1984 comes deep cut Nervous from Leather on the Soft Winds imprint, a private press possibly out of Chicago. But that is about as far as I can go on this one as I have spoken with a few heads and no one seems to know much of anything about this record. It almost never turns up anywhere except goliath dealer Craig Moerer from Portland may be sitting on a few sealed copies if you want to shell out the cash.
Nevertheless, I quite like the feel of this record. It's got a sort of post thriller proto haunted house vibe to it that lights up a dancefloor rather nicely. Loads of electro toms and icey synth lines make this one a winner. I included Nervous on my recent Stimulation mix which has a direct link below if you haven't had a chance to grab it off of the Monorail blog yet.
Leather - Nervous
Leather - Nervous (Instrumental)
BT Magnum - Stimulation Mix
Posted by BT Magnum
|
Labels:
Boogie-Funk,
Leather

This is the perfect jam for the evening. I am still recovering from a week of excess food, booze, and family drama. I am settling into this jam before I slip into another leftover induced food coma. Spyce put out this record on the Brooklyn label Rota Enterprises, LTD in 1979. It is definitely an interesting track with a lot of Patrick Adams influence, a party vibe, and some cosmic synth. I will give this track an edit when I can figure out ho to use logic.
Spyce - Do It Rock Steady
Posted by LeBarøn
|
Labels:
disco,
funk,
Spyce

We had a request for this a long time ago, but I never came good on it. Anyway, to make up for being tardy I'm going to post up the instrumental as well.
I would write more but I'm late for dinner. See a recurring theme? yes, you spotted it, I'm useless.
Greg Perry's It Takes Heart is part of the 80's soul funk cannon, but is a little hard to find. Its a real dancer, and watch for the synth breakdowns, amongst the heaviest the genre ever produced.
Greg Perry - It Takes Heart
Greg Perry - It Takes Heart (Instrumental)
Posted by Black Shag
|

It's Thanksgiving in the United States today and we have oh so much to be thankful for here. I for one am very thankful for Kashif, super producer and ace songwriter whose peak work was in the golden boogie era of US soul music. God bless Kashif.
Evelyn King - I'm In Love 1981
Evelyn King - Love Come Down (Instrumental) 1982
Kashif - I Just Got To Have You (Long Version) 1983
Kashif - Ooh Love (Instrumental) 1984
Posted by BT Magnum
|
Labels:
evelyn champagne king,
Kashif

I'm not a big freestyle head, in fact I'm a little ignorant to the timeline and how the sub genre split from the rest of electro and boogie in the early eighties, but then it seems Miami has always had it's own thing going on what with it's geography and cultural mix. That being said, the semi breakthrough hits by Connie seemed to have favor with DJ's far beyond urban Florida at the time, and her two biggest tunes, Rock Me and Funky Little Beat became electro classics.
I like to play the instrumentals and dubs, as despite the vocal being awesome, the Amos Larkin beat production really stands out, so here you go:
Posted by Black Shag
|
Labels:
electro,
florida,
freestyle,
miami,
miami bass

I don't know what to say about this song really. It's pretty much perfect start to finish. The groove, the strings, the horns, Claudja Barry's downright infectious vocals, the message of the song...it's just never going to get old to me. Earlier today I was thinking about how there are very few, if any, current charting singles that I would even listen to, let alone any that I appreciate and feel I would never get tired of. Songs like "Sweet Dynamite", which was released in 1976, remind me why I love music and why I should take more time to listen and surrender.
Posted by T. Preston
|
Labels:
Claudja Barry,
Sweet Dynamite

Over the years I had heard sound clips of this track and was aware that boogie collectors lit up a little bit when mentioning this 12" on the otherwise mediocre Zoo York label. A few weeks ago I found a minty copy in a thrift store and was excited to take it home and add it to my DJ crates. Wait, what the hell is that cheesy heavy metal guitar solo doing smack dab in the middle of all three 12" versions? And don't forget those vocal bits at the end that are terribly annoying. Ugh. So here is my edit of the long version, still vocal heavy but tighter and much more focused towards a linear dance floor set.
Leonard Seeley's Heritage - Feel It (BT Magnum Edit)
Posted by BT Magnum
|
Labels:
Boogie-Funk,
Leonard Seeley's Heritage,
Zoo York Records
Juggling computer programs and interfaces is hard enough now, I can't imagine how things were done in the good old days. Ugg, a frustrating night indeed. Welcome to space, bitches. This track came out on the Canadian label P.B.I. Records in 1981. Jean Pierre Bernard Massiera, the producer also put out a record of the same title in 1978 as the group Herman's Rocket on a French Label. It sounds like R2D2 made a guest appearance on this cut.
Venus Gang - Space Woman
Posted by LeBarøn
|
Labels:
Italo,
Space Disco

I spent a lot of time going through pictures taken during the riots that took place in Brixton, London in April of 1981, it was hard to choose one, I didn't want to pick anything too explicitly powerful, or anything with a copyright notice on it, both of which were hard.
T. J. Johnson emigrated to the UK from the Caribbean as a youth and produced this record for the London based Switch label in 1982 in the aftermath of the riots, and the storied apex of the UK disco funk scene. Events such as the Brixton riots and the evolution of multi cultural Britain obviously influenced T. J as much of his later independant work right up to the modern day has socially aware lyrical inspiration. He still makes records and gigs on the European soul, funk, and blues circuit, as guitarist for a few bands and leading a couple of his own, although his earliest disco work is mostly forgotten amongst all the session work he did later on in the eighties. He was very much the UK Niles Rogers, both in his guitar technique (which was still distinctly his own) and the quality of his chops.
I have been collecting and championing lesser (and greater) known UK boogie for a while, but of all the rare grails, the most heavy, most monstrous, most dance floor destroying cuts to come out of the early eighties South London funk scene for me must be the first two T. J. Johnson records, the second of which 'I Can Make It (Good For You) / Dragonfly' I posted a while ago, and the first of which, 'Pretty Lady/Lets Do It (Lets Rock)' I'm posting now. Despite 'Pretty Lady' being a small underground hit in the UK I think this is an internet first, so all you thieving funk blogs get ready to repost the rip on zshare.
I haven't posted a secret weapon in a while, I have been holding back for some reason, mostly by some ultra whack hard electro remixes I heard that were sourced from tracks off of the site, but then the other day I remembered what the whole point of this site was meant to be in the first place, and what does it matter. So that being said, here is another one that sends the other DJ's on the lineup home early to jump on ebay. Good luck.
Posted by Black Shag
|
Labels:
boogie,
brit funk,
british,
Rare Heat,
t.j. Johnson

Here is a guest mix from SF's own DJ Hotthobo aka Randy Ellis. I had the pleasure of playing a gig with Ellis last month and I must say he is quite passionate about the Boogie and Disco sounds we so enjoy here at Beat Electric. This is a solid mix from start to finish and I recommend you check out Hotthobo's monthly Grow Up party in the Tenderloin.
And for a plethora of new disco oriented mixes, check out this excellent post on the Disco Delivery page.
The Tracklist:
1. Five Special - Your Body Heat
2. The Strangers - Stimulation
3. Kasso - Walkman
4. Dexter Wansel - It's Been Cool
5. Chic - I Want Your Love (Todd Terje Edit)
6. Eddie Craig - Funkin Up
7. Toba - Moving Up
8. Bernard Wright - Master Rocker
9. Asphalt Jungle - Freakin Time Pt.1
10. Voyage - I Love You Dancer
11. Loose Ends - Let's Rock
12. Raydio - Still In The Groove
13. Eddie Tour - Heartache (re-edit)
14. Rotciv - Do I Do
15. Paul Hardcastle - Forest Fire
16. Hypnosis - Bormaz (Todd Terje Edit)
17. Loose Shus - Leonhart
18. Up Front - Infatuation (Hotthobo Loooooong Edit)
19. Selection - Rebel On The Run (Remix)
20. O'Bryan - Lovelite
21. Breakwater - Do It Till The Fluid Gets Hot
22. D Train - Don't You Wanna Ride (The D Train)
DJ Hotthobo - Player Error
Posted by BT Magnum
|
Labels:
Beat Electric Guest Mix,
Disco Delivery,
DJ Hotthobo

16 minutes of "soundscape disco" inspired by Close Encounters of the Third Kind. "A Dance Fantasy" is mixed by Tom Moulton, has vocals by Sister Sledge and among many other songwriters has a piece written by John Williams. I have no idea where this track would ever be played out (especially not the scratchy copy I have), but who cares. It's fantastic in the truest sense of the word.
Montana - A Dance Fantasy
Posted by T. Preston
|
Labels:
Close Encounters of the Third Kind,
John Williams,
Montana,
Sister Sledge,
Tom Moulton
Here is an interesting track by Funktion Freeks on Purple Reign Records, released in 1986. Wet dreams make for bizarre songwriting material, but maybe his bedroom looks like the one pictured above with 1937 Altec /Lansing/RCA horn system powered by a Marantz 8B. Lots of drum machine clatter in there and lots of jankeyness. It is definitely halfway between garage house and freestyle. It catches its stride in the final third.
Funktion Freeks - So Hard Up For Your Love
Posted by LeBarøn
|
Labels:
Early House,
electro,
florida,
garage house

I played this dub version out last night and made a point to post it up today. Nona Hendryx needs no real introduction, super star solo artist and member of LaBelle with lots of disco and electro funk, and funk rock releases to her name. This record though, as guest vocalist with one off production outfit The Cage is a bit of a weird one, an odd electro cover of a much earlier T-Connection track. Nona's vocals are good, but I like the dub instrumental on this.
The Cage featuring Nona Hendryx - Do What You Wanna Do (dub version)
Posted by Black Shag
|

This cassette has been on repeat in my motor vehicle as of late. I love the fact that my car stereo is shit and this beat up tape from 1979 sounds like absolute crap. Sometimes its just better to go lo-fi in order to achieve the proper sonic experience.
Harvey Scales was once considered Milwaukee's "Godfather of Soul". I often used to pass up this Cassablanca release in the Milwaukee thrift stores as it looked sort of ridiculous (yet amazing) and I already had some of his earlier funk 45's which was more to my interest than glam disco at that particular time. I was fortunate enough to see Harvey play live at a few Bar Mitzvah's and Weddings back in the day, although I doubt I ever saw him perform this gem.
Harvey Scales - Keeps Getting Better
Posted by BT Magnum
|
Labels:
disco,
Harvey Scales,
Milwaukee

Here are some of my favorite Frankie Knuckles remixes. These are from an era of soulful deep house, before thick neck British blokes with shaved arms took over. Here is also a live mix from Gallery 21 in Chicago from 1987. Sorry for the marginal sound quality, please hit us up if you have any high quality mixes.
Frankie Knuckles Playlist:
- K.I.D.: Hupendi Muziki Wangu?! (You Don’t Like My Music)
- James Wells: True Love Is My Destiny
- Exodus: Together Foreverr (Dub)
- Change: Glow of Love
- Ian Dury: Spasticus Autisticus
- Mike T: Do It Any Way You Wanna
- Don Ray: Standing In The Rain
- General Johnson: Can’t Nobody Love Me Like You Do
- Trussel: Love Injection
Electribe 101 - Talking With Myself (Frankie Knuckles Mix)
Chaka Khan - Ain't Nobody (Frankie Knuckles Remix)
Frankie Knuckles - Live at Gallery 21 Chicago in 1987
Posted by LeBarøn
|
Labels:
Chaka Khan,
deep house,
Early House,
frankie knuckles

So I dropped the ball with the Halloween post that never materialized. I was going to put up, 'Fear' by Easy Going, but that was hardly an inspired imaginative stretch, so you didn't miss out too much.
I was out of town all weekend in Las Vegas. I managed to get away from the strip and go digging around some of the local record stores, it was a pleasant surprise. Record City has at least 5 or 6 stores, the two I went to were in beyond thunderdome, desert town empty strip mall neighborhoods and were within a couple of blocks of one another. An impressively fucked up looking pimp got upset at me walking up and down between the two, past his girls on the corner with my records, acting strange. He had blood seeping from a bandaged hand and one of his lady friends hissed at me. It was well worth it, as three decades of gigging casino club DJ's and local hopefuls had left these spots laden with awesome 12"s.
This track comes out of my weekend haul. On the excellent Amherst records, like Kelley's previous post, Funn by Gunchback Boogie Band, this 1984 synthy funk monster was also produced by Anthony T. Johnson. Awesome and hard hitting..
Posted by Black Shag
|

"Now's the time, forget your nine to five. Come on, have some funn."
Okay, I will thanks.
The Gunchback Boogie Band - Funn
Posted by T. Preston
|
Labels:
Funn,
The Gunchback Boogie Band

I created an exclusive new DJ mix at the request of my friends Remy and Lamar aka Portland's Monorail Boys. These guys throw the best parties in Portland hands down and do a damn fine job on their blog as well. Indicative of my current DJ sets, this mix leans heavily on the boogie-funk tip with a bit of early house, italo and late era disco thrown in for good measure. As always its all live, hastily mixed at home after a long, shitty day a couple weeks back. Anyways, go to the Monorail blog, download the mix and take a look around. You will also find some other stellar mixes by the likes of Ulysses 82 and San Serac amongst other goodies.
I also have posted the Stimulation title track here on this blog. Stimulation is a semi rare and ultra heavy vocoder track by The Strangers from the Salsoul Records stable circa 1983.
Stimulation Tracklist:
Prestige - Cheating
Squirmin Herman - Move and Shake Your Body (Inst.)
The Strangers - Stimulation
Pleasure - Sending My Love (Inst.)
Aurra - Baby Love (Shep Pettibone's Mastermix)
Slave - Feel My Love
Wizardz - Boogie Slyde
Sinnamon - I Need You Now (The Fierce Reprise)
Jamie Principle - Your Love
Inner Life - (Knockout) Let's Go Another Round
Stephanie Mills - Put Your Body In It
Weeks and Co. - Go With The Flow (Inst.)
Leather - Nervous
Electrik Funk - On a Journey (Inst.)
Eazy - Project Funk (Inst.)
A Number of Names - Sharevari
Kano - Now Baby Now
BT Magnum - Stimulation Mix
The Strangers - Stimulation
Posted by BT Magnum
|
Labels:
Beat Electric Mix,
Monoblog,
Salsoul Records,
The Strangers

Its my day to post and I couldn't get to my recording rig, so I'm putting up an edit I did a while ago for a set that never happened that I just found on my mp3 player and put up from this borrowed computer. Paparazzi were a short lived British New Wave band that released a couple of singles on MCA before breaking up and having their debut album unfortunately shelved, although there is a bootleg recording of it floating around. Their 12" 'Stop' has some great synth work, I stripped out some of the vocal bridges and chorus lines to make it a little more compatible for contemporary dance floors, but still left the instrumental parts of the arrangement pretty much as was.
Posted by Black Shag
|

I could tell you a few things about this song. Maybe you would like to know that it's written and produced by Arthur Russell. Or maybe that it is mixed by Larry Levan. Perhaps you would like to know how it's got amazing piano, horns and whistling. But really, you probably just want to listen to this track and get your ass up and dance around your room in your underwear. Or, is that just me?
Loose Joints - Tell you (Today) (Vocal)
Posted by T. Preston
|
Labels:
Arthur Russell,
Larry Levan,
loose Joints,
Mel Cherin

This is a very nice upbeat track from Cleveland, OH based artist Frederick. Move On was buried on the B-Side of a throwaway ballad 12" entitled Gentle (Calling Your Name) released in 1984 on private label Time Trax and later reissued on LA Based Heat Records in 1985. I really like the sanguine gospel feel to this cut, reminds me of a less polished Leroy Burgess-Stan Lucas production. I apologize for the impurity of this rip, but I had to chop off the sliding piano line in the intro. It was just too cheesy and distracting to an otherwise great track.
Frederick - Move On
Posted by BT Magnum
|
Labels:
Boogie-Funk,
Frederick,
Heat Records,
Time Trax Records

Here is something smooth for you to enjoy this Monday evening. Pieces of a Dream was produced by the late Grover Washington Jr. and they put out three albums. Their sound was very tame and smooth with polished production. While many of their tracks are a bit too smooth, this one has a nice poppy snap that is reminiscent of a Change record. Dexter Wansel helped pen this one.
Pieces Of A Dream - Fo-Fi-Fo
Posted by LeBarøn
|
Labels:
Dexter Wansel,
grover washington jr.,
pieces of a dream

I came across this 12" recently in a deep stack of what seemed like mostly jazz records. It's by Rory and Rick Starr, also known by the moniker Magnum Force, under which they released some sought after funk and boogie LP's, in the late seventies through to the early eighties. This record though dates from 1984, and goes into my limited collection of what I would identify as one of the earliest examples that I own of pure Chicago house. I don't have anything that can be pinned down to that genre from 1983, close, but not quite. Both the A side and B side are well worthwhile, definitely a little too polished to have been made by a 17 year old with a Roland drum machine in his bedroom, but clearly influenced by them and the electronic sound being played on Chicago radio at the time as well.
I'm also posting Persia's Inch By Inch as was requested. All time roller boogie classic.
Posted by Black Shag
|

In 1975 Patrick Cowley and Jorge Socarras began a friendship and musical partnership that spanned several years and the end result was an LP's worth of material that saw the light of day in the United States for the first time just yesterday. The story of how things got to this point is an interesting slice of San Francisco history. It all started when DJ Ken Vulsion of Honey Soundsystem spun some records with legendary SF producer/ DJ John Hedges at Cafe Flore about 3 years ago. Hedges took over running Megatone Records with Marty Blecman after Cowley's death in 1982 from a mysterious and deadly new virus called GRID. Hedges was already a legendary disco DJ since the mid 70's at this point having been the house DJ at The Mineshaft and the City Disco. When Marty Blecman passed due to complication from the Aids virus in 1991, Hedges became the steward of the huge Megatone back catalog.
About a year after the gig, Kenvulsion received a call from Hedges informing him that he was selling his old studio and house in Buena Vista Park and moving to Southern California. He would be giving away a huge chunk of his personal record collection and all of the Megatone back catalog. Several of the honey guys found their way over to John's house with a large truck and raided the basement storage space they came to call the Mineshaft. After digging through over 4,000 records, Ken and co. discovered 4 boxes of quarter inch tapes.
Half were session copies, others were totally unreleased masters by Cowley. One of the reels ended up being the pre-Megatone full length recording entitled
Catholic produced with Jorge.
Fast forward to 2009, the honey guys did a few parties to celebrate their massive record score and easily persuaded German label Macro to issue Catholic for the very first time. The beauty of this recording is that it displays Cowley as much more than just a disco producer. This early period shows him in another pioneering mode: Post Punk. Before the genre even existed. The seemingly timeless Catholic sessions would fit nicely as a DFA release or could have been a celebrated gem on 4AD or Mute back in the day. These recordings further solidify the fact that Cowley may have been the most important and groundbreaking producer San Francisco has ever seen.
This Sunday, Honey Soundsystem hosts two events to commemorate Patrick's 59th birthday and the release of Catholic. All of the details are here and suffice to say there will be special guests (Paul Parker and John Hedges!) in attendance and one can expect these events to delve much more deeply into Cowley's backstory and the history of SF disco than I have been able to explain today.
You can preview tracks off of Catholic on their myspace page. Here I have posted the 1987 Megatron Man 12" version remixed by Joseph Watt.
Patrick Cowley - Megatron Man '87
Posted by BT Magnum
|
Labels:
Honey Soundsystem,
John Hedges,
Megatone Records,
Patrick Cowley
I should probably be building an arc right now because California is going to be washed away into the sea in a couple of hours. I have been practicing parting water, and I think I may have it figured out just in the nic of time.
Manu Dibango - New Bell
Posted by LeBarøn
|
Labels:
african disco,
Loft,
Manu Dibango

I have played this for a few people over time and I have gotten mixed responses, perhaps they were just not in the right mindset, or perhaps the heart felt, atonal, choppy English as a fourth language vocal put them off. Its a weird tune for sure, but I think maybe Lowell's No Matter is one of the unsung Italo greats, dark and brooding, with a touch of electro and soul, sang by a light Swiss version of Tina Turner circa 1985. Its not Italian, it is Swiss, and I think all of the recordings off of the short lived Tam Tam label were made in Switzerland. Extremely hard to find, often a little off color somehow.
Lowell - No Matter
Posted by Black Shag
|

I haven't been home much lately. I haven't posted much lately. I haven't been to the gym much lately. What I have done though is work, work, work.
But it's Friday, it's Fleet Week in SF and I finally remembered on the right day it is my time to post.
What I have this week is Edgar Winter's instrumental track "Above & Beyond". It's bad ass and full of amazing sonic ear candy. It's cosmic, it's weird and it is made Mr. Winter who looks as though winter landed all over him.
I scored this record, actually 2 copies of the white label, nicely filed in alphabetical order whilst digging at a record store. Talk about a score.
Enjoy.
Edgar Winter - Above & Beyond (Instrumental)
Posted by T. Preston
|
Labels:
Cosmic,
Edgar Winter

Thought I would switch it up for a change and post an 80's synth pop track from the legendary Factory Records stable. This cut from Section 25 was a staple of mine some years back when I incorporated quite a bit of new wave and post punk into my DJ sets. I dusted this record off in anticipation of the upcoming Section 25 show at Mezzanine in SF and it served to remind me that I still love this kind of stuff. The British in particular were damn good at making new wave/synth tracks. They tended to add a more soulful element that their American counterparts were not quite as adept at pulling off. Looking From a Hilltop was released in 1984 as the first single off of the From the Hip LP which was produced by Bernard Sumner of New Order.
Section 25 - Looking From a Hilltop (Restructure from FACT 90)
Posted by BT Magnum
|
Labels:
Factory Records,
Section 25,
Synth Pop

"Jack boldly declared: 'Let there be house!' And house music was born."
Larry Heard AKA Mr. Fingers produced this record in 1986. This record was a follow-up to his 1985 release
Mystery Of Love. Early in his music career he was in a jazz fusion group with Adonis (whose music also has a similar sound). He later fronted the group Fingers Inc. and started producing tracks under several monikers. His tracks ushered in the deep house sound with an ethereal, serotonin laced groove that can give you a sense of the elation that those dancers felt on the dancefloor of The Warehouse in the mid-80's. This is the instrumental version, the
more common version features a Dr. King like sermon about Jack and the origins of house music.
Mr. Fingers - Can You Feel It (Instrumental)
Posted by LeBarøn
|
Labels:
Early House,
House,
jackin house,
trax records

This picture is of Khalis Bayyan's living room. At least his living room in 1983. I'm not posting any of Khalis' or Kool And The Gang's tracks, I just like the picture. It looks like my mum and dad's living room in England, apart from with analogue synths in it.
San Francisco on the other hand is jumping this weekend, my neighborhood is locked down with the lovefest meth techno activities, the police put blockades up either end of my street, so I sort of feel trapped inside, alone with my records. These two were the highlight of my day, excuse the Craig Peyton record if it sounds a little warbly at the beginning, my copy has a slight warp the first inch or so. Would love to mint up on this one:
Posted by Beat Electric
|

This was Lisa Lisa and Cult Jam with Full Force's first record and was released in 1984. It was released on a European label as a single and was featured on the compilation album Breakdancing. In 1985, their first full length came out and it was a big success. LL&CG along with production by Full Force was a winning combination and led to the team dominating pop radio throughout the 80's.
Lisa Lisa And Cult Jam - I Wonder If I Take You Home
Lisa Lisa And Cult Jam - Ringtone
Posted by LeBarøn
|
Labels:
freestyle,
Full Force,
Lazer Soul,
Lisa Lisa,
ringtone

A seriously deep modern soul/synth boogie record here from San Francisco circa mid 80's. There is debate over the year of release as it is not listed on the sleeve. I would lean towards '87 if I had to make an estimate. One thing is for certain, everything about this LP from the crusty production to the sleeve is just so dusted and killer. If you live in the Bay Area and spend enough time in the thrift stores, you might just dig up this private press gem on Treasure Records. Here are a few of the LP's Highlights.
Prophet - Right On Time
Prophet - Stick Around
Prophet - You Really Turn Me On
Posted by BT Magnum
|
Labels:
boogie,
modern soul,
Prophet,
SF Bay Area

This image was taken from a Korg trade publication from the early eighties. This is how they envisioned a sophisticated gentleman's living room should look like, your Korg synths up on breeze blocks, your Korg brand reel to reel machine, a shelf of quarter inch tapes for your listening pleasure, and a couple of bottles of fine cognac. Its odd how spot on they got it, how forward thinking Korg's marketing team were to have predicted successfully that one day every bachelor's living area would look exactly like this. I know mine does more or less, except I have hardwoods, a signed Nagel print up on the wall and beanbags stuffed with coke ridden hundred dollar bills for my guests to sit on.
I was in my Korg inspired living room listening to some modern track with a vocoder on the vocal line. I'm not saying anything against vocoder vocals, saying they are played out is like claiming a guitar or piano is played out, they have been on lots of records since the dawn of time too, I don't think using a vocoder is necessarily gimmicky, just should be used a little more sparingly perhaps. What do I know anyway, like I said before I'm not Beethoven, but it did inspire me to try and record a few under appreciated and under the radar vocoder jams from the device's (first) heyday, when a vocoder wasn't a default plugin in your download from a Russian torrent site, but instead was a about half the size and weight of a small car engine and likely to cost you twice as much.. I didn't do very well though, I only managed two before the dust from my epic crates started to make me sneeze and I gave up..
Posted by Black Shag
|